Glyn Dewis, Photoshop World Instructor, will show you how to quickly create backgrounds and composite images using techniques available in Photoshop CS6 plus some quick fire Beauty Retouching and lighting effects in the ‘Never Ending Lighting Rig’.

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode, our four presenters demonstrate Flash professional, After Effects, Dynamic Link, Dreamweaver, InDesign and Illustrator.

In this episode, Jason Levine showcases Camera Lens Blur, Light Falloff and 3D Camera Rig in After Effects CS5.5, along with the amazing new Warp Stabilizer effect, classic Puppet Tool and Dynamic Link workflow.

Learn how the new stereoscopic 3D camera rig plus resulting chain of compositions in After Effects CS5.5 are manipulated by the Stereo 3D Controls effect, including setting camera separation (inter-axial distance) and the convergence options.

After Effects CS5.5 makes it easy to create a 3D Orbit Camera Rig, which simplifies circular animations. Chris Meyer expands on this by demonstrating how to perform smooth crane and zoom moves with this rig as well.

Learn how to stabilize hand-held footage to look as if it had been shot with a complicated, expensive camera rig with the new Warp Stabilizer in After Effects CS5.5

See how After Effects CS5.5 greatly eases the creation and control of stereoscopic camera rigs for 3D layers. Chris Meyer explains the resulting chain of compositions, including how to preview, where to add stereo footage, and what to render.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

A surprise appearance by somebody who seems to be Kush's evil rap cousin explains the gear needed to run Adobe Premiere Pro CS3 & shows off his own gear.