Learn how Adobe Edge Reflow can help defuse the often challenging conversation between designer and developer. See why developers no longer need to dread receiving that PSD file with 60-plus untitled layers and no indication of interactions, and why designers no longer need to worry about their vision being stifled by a "you can't do that in a browser" mentality. Jared Wyles, Adobe senior computer scientist, will discuss:• How to identify potentially inefficient feedback loops across your organization• The importance of a tight feedback loop between designers and developers• How Edge Reflow can help bridge the design/develop workflow

Resolution is a fundamental concept in Photoshop. This lesson will help you avoid getting thrown for a loop when you go to print your image or save it for the web.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Learn about the new user interface for viewing or changing keyboard shortcuts in Adobe Premiere Pro. Then, discover some of the new shortcuts for common editing commands, such as matching frames, creating and playing loops, moving between editing clips, and exporting frames.

Russell Brown shows you how to use Photoshop CS5 to make a Cinemagraph - a mostly static image with some looping motion in it.

This episode is for all the After Effects users who want to easily get their audio from the timeline into Audition for editing and multitrack composition. We’ll start with some on location sound and show you now to create a new multitrack version that includes free sound effects from Resource Central which is built in to Audition.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.