Free After Effects Template based on mettle ShapeShifter AE. Watch this short tutorial to learn how to change the logo and text line. This project also uses Trapcode Shine and RGS Looks.

Go Behind the Design with the founders of NYC design studio Dress Code. See what drives their approach to design and how they’re adapting to the expanding role of graphic designers. See what motivates them and where they look for inspiration.

How to use Adobe Photoshop to create a logo and bug for a video project.

In this Episode of The Complete Picture Julieanne will teach you how to quickly save your vector and raster logos in Photoshop to be applied to photographs on export, via Publish services, Slideshow, Print and Web modules.

In this Episode of The Complete Picture Julieanne demonstrates how to create a single vector logo out of multiple type and shape layers, specify a consistent size, apply a style and save the entire creation as a Tool Preset! In addition, Julieanne shows how to add a scan of your signature to any photograph with a simple change of a layer blend mode.

See how you can create 3D logos and artwork from any text layer with the Adobe Repoussé technology in Photoshop CS5 Extended. And see how to rotate, extrude, bevel, and shadow and light your text.

RC has a tutorial about using Lightroom and Flickr together to share your images with the world. Corey uses Illustrator and Photoshop to create some vintage graphics for a logo design.

In the second part I'll import the 4 clips into Adobe Premiere Pro. Edit them using the Multi-Camera tool, Sync the edits to audio and explain how to modify and improve the cuts. Then its time to use BCC effects and transitions. These effects can add so many creative options to the final edit. Here I'll be using the BCC Linear Wipe and BCC Jitter Time to create a very impressive final result.

In the first part I'll demonstarte how to work with Adobe Illustrator in order to prepare vector graphics so it can be extruded to multiple 3D objects using the BCC EPS Extrude plug-in. Then inside Adobe After Effects I'll show how to dress your logo, work with the various Extrusion options, Materials and Render settings. I'll create a fancy camera moves using the built in camera and lights, and end up rendering 4 different scene.

Discover new techniques for adding motion to content. Since the early days of the web, we've relied on Flash technology, and more recently, JavaScript. But now, with WebKit and Mozilla leading the way, transformations and transitions can be achieved with pure CSS. And for those in need of even more movement, CSS3 provides keyframe-based animations. In this session, we'll take a look at all of the possibilities and explore what works and where — from the simplest hover effects to creative usability enhancements and the sure-to-be-popular spinning corporate logo. It's all about the movement, baby!

In this episode, watch as Julieanne Kost demonstrates how to create and save text and graphic presets to be used as Identity plates to brand your images when outputting them to slideshow, print and web. In addition, Julieanne will show you how to personalize your copy of Lightroom with your own Identity Plate.

Adobe Photoshop software is the tool of choice for designers and web professionals. Now with Photoshop CS5 and Photoshop CS5 Extended, you can continue to push the boundaries of traditional digital imaging. Realistically blend colors on canvas with the new Mixer Brush. Create superior composites for print or web layouts with new technology that makes it easy to select even the trickiest image elements, like hair. Remove an image element, and let Content‐Aware Fill intelligently replace the missing pixels. Easily create 3D logos and artwork from any text layer, selection, or layer mask using new Adobe Repoussé technology. Use new Exposure Merge technology to create photo realistic or wildly surreal 32-bit HDR images with unprecedented speed, control, and accuracy. And import animated GIFs. Plus so much more.

Web and interactive designers count on Adobe Photoshop software to help them create just the right look for their clients. Now with Photoshop CS5 Extended, you can keep exploring new creative possibilities in web and interactive design. For example, take advantage of new Adobe Repoussé technology to quickly make your pages and designs pop with 3D artwork for logos, buttons, and more. Plus, you get enhanced 3D animation effects with the ability to take your 3D model and easily add an animated depth of field.

With Photoshop CS5 Extended, you can create 3D logos and artwork from any text layer, selection, or layer mask with new Adobe Repoussé technology. Twist, rotate, extrude, bevel, and inflate these designs, and then easily apply rich materials like chrome, glass, and cork to explore different looks. And take your designs even further by leveraging the Adobe 3D Forge engine for advanced editing of your 3D models.

With Photoshop CS5 Extended, you can create 3D logos and artwork from any text layer, selection, or layer mask with new Adobe Repoussé technology. Twist, rotate, extrude, bevel, and inflate these designs, and then easily apply rich materials like chrome, glass, and cork to explore different looks. And take your designs even further by leveraging the Adobe 3D Forge engine for advanced editing of your 3D models.

Join Jason Levine as he uses Adobe Premiere Pro and Magic Bullet to create the ‘look’ of his finalized video. He also shows you how to use Dynamic Link to modify a logo in After Effects.

Learn how to trace placed images into Illustrator CS4 with a number of different methods. Redraw a logo, and redraw a map as well. Also take a hand drawn image that contains line work and convert it to vectors with the Live Trace Feature.

This video shows you how to combine documents, drawings, e-mail, and spreadsheets in a single compressed PDF Portfolio that can be branded with your logo.

Corey shares a tutorial about designing a tropical logo using Illustrator. RC talks about embedding web widgets and Google calendar into your Dreamweaver web page.

Corey finishes the tutorial he began last week on creating a fireball logo in Adobe Illustrator and moves it into Photoshop CS4 to add some 3D effect. RC talks about some of the changes and new features in Soundbooth CS4.

In this first of a 3 part series, Julia Hoffmann, a rising star of the design world, discusses her early aspirations. She talks about the importance of simplicity in logos, as well as the collaborate creative process she had with Jon Stewart.

Type "Adobe" in a search engine and you will see our logo, but look it up in a dictionary and it talks about mud bricks. Where did Adobe get its name from?

Instructor Richard Harrington explains how to handle logos and give them alpha channels so they will work in a video environment.

In this motion graphics episode, Corey shows us how to use presets in After Effects to make a motion background with some animated text. RC uses Adobe Premiere to place a logo graphic in the corner of a video file.