In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.

In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.

In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.

In this episode, Jason will show you how to set-up a side chain compressor in Adobe Audition CS6, to automatically duck music beneath a voice-over. This is a very common workflow across all different styles of video (commercials, interviews) and is very easy to setup and even build presets for later usage.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

Adobe evangelist Jason Levine meets Justin Weyers, animation producer of A Liar’s Autobiography: The Untrue Story of Monty Python’s Graham Chapman. Justin will discuss the creative process and the tools he used to bring his vision to life in the film.

Appreciate the finer points of Creative Suite 6 Production Premium with Adobe Evangelist, Jason Levine. In this session you’ll learn about the powerful new versions of Adobe Premiere Pro, After Effects, Audition and Media Encoder. Jason will also demo two new CS6 tools: SpeedGrade and Prelude.

Principle Worldwide Evagelist, Jason Levine, shares responses he's experienced in the worldwide evagelists' tour for CS6 and Creative Cloud. With new updates and offerings still coming out months after launch, there's no better time to switch to Production Premium for all your post workflows.

Adobe Anywhere for video allows video teams to collaborate and access shared media across standard networks virtually anywhere they have internet connectivity. Product Manager Michael Coleman and Worldwide Evangelist Jason Levine demonstrate how Adobe Anywhere helps video teams work together and create more efficiently than ever before possible.

In this episode, hear from Jason Levine, Adobe Worldwide Video Evangelist, about the Creative Cloud and all the new features in Adobe Production Premium CS6, the complete solution at the heart of any production workflow for video professionals. Packed with major updates to help bring high-quality productions to any screen, you’ll learn about new updates to familiar tools including powerful new versions of Adobe Premiere® Pro, After Effects®, Audition®, Adobe Story Plus, Media Encoder and Photoshop Extended, along with two new tools, SpeedGrade CS6 for professional color grading, and Prelude CS6, the world’s most elegant solution for the processes of ingest, logging and transcoding – essential tasks in a modern file-based workflow.

Evangelist Jason Levin provides an overview of CS6 Production Premium.

Adobe Evangelist Jason Levine shows what's new in Audition CS6 including session templates, the new media browser, and clip time stretching.

Adobe Evangelist Jason Levine provides an overview of what's new in After Effects CS6.

Adobe Evangelist Jason Levine shows how to use Adobe Story to outline, plan, script and schedule projects.

Adobe Evangelist Jason Levine shows how to ingest, log and create rough cuts with Prelude CS6.

Adobe Evangelist Jason Levine shows how to use control surfaces in Audition CS6.

Adobe Evangelist Jason Levine shows how to edit faster and more efficiently in Audition CS6.

Adobe Evangelist Jason Levine shows how to use the clip time stretching and real time pitch correction in Audition CS6.

Adobe Evangelist Jason Levine shows how to create individual stems from all of your media inside the multitrack using Audition CS6.

Explore fresh techniques for building beautiful, sophisticated websites using Adobe Business Catalyst and the popular jQuery framework. Jason Tinnin of SimpleFlame.com and Kiyuco.com will explore, using real-world examples, just how easily you can integrate jQuery with your sites, crafting unique visitor experiences and impressing your clients. We'll cover a range of built-in modules in Business Catalyst, including the Web Apps framework, and also touch on the platform's powerful API. This is a session for anyone working in a modern web design agency interested in taking their web projects to the next level.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video production workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

In this episode, Jason Levine covers your favorite features from Premiere Pro, After Effects, Photoshop & Audition CS5.5 for video workflows with animations.

In this episode, our four presenters demonstrate Flash professional, After Effects, Dynamic Link, Dreamweaver, InDesign and Illustrator.

In this episode, Jason Levine showcases Camera Lens Blur, Light Falloff and 3D Camera Rig in After Effects CS5.5, along with the amazing new Warp Stabilizer effect, classic Puppet Tool and Dynamic Link workflow.

In this episode, our four presenters look at InDesign, Photoshop, Dreamweaver, Premiere Pro and Flash Professional.

In this episode you'll learn how Premiere Pro supports faster performance and fluid editing, even from a laptop, as well as increased support for multiple formats. Presented by Adobe expert Jason Levine and featuring the amazing Mercury Playback Engine.

Join Adobe evangelist Jason Levine to learn how Adobe Premiere Pro CS5.5 powers efficient, convenient and flexible editing and post-production workflows when working with stereoscopic content.

Well-known in the industry as the go-to audio tool, Adobe Audition software now brings its audio-for-video multitrack editing environment to the Mac. With best-in-class editing and multitrack mixing tools, powerful sweetening options, and rock-solid performance, Adobe Audition is the digital audio editor that audio and video professionals rely on to handle a wide range of tasks quickly and efficiently.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Learn how to deliver cinematic visual effects and sophisticated motion graphics with Adobe After Effects CS5.5 software, now with sophisticated stabilization, new lens and lighting effects, and the most efficient performance ever.

Apply realistic blurs to perfectly shot footage to create elegant attributes of a soft focus image with the Camera Lens Blur effect in After Effects CS5.5.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

Get an overview of the latest high performance audio tools that give you faster startup, more responsive playback and editing, new effects, multi-core effects processing, and multi-effects application.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

In the real world, light intensity diminishes naturally the further lit objects are from the light source. The Light Falloff feature in After Effects CS5.5 gives you the controls you need to simulate natural illumination falloff in a 3D scene—or create other light intensity effects.

Discover all the top new features in Adobe Creative Suite 5.5 Production Premium.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

Learn how to stabilize hand-held footage to look as if it had been shot with a complicated, expensive camera rig with the new Warp Stabilizer in After Effects CS5.5

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

In this tutorial, Sr. Worldwide Evangelist Jason Levine walks you through the techniques for using the Spectral Frequency Display in the Adobe Audition for Mac beta. Learn about when to use subtractive vs. spectral decay-based noise reduction methods, remove hiss & hum visually, and even remove individual sounds using familiar Adobe Photoshop tools like the Marquee, Lasso and Spot Healing Brush.

Download the Audition for Mac beta

In this tutorial, Sr. Worldwide Evangelist Jason Levine takes you through the process of setting up the Adobe Audition for Mac beta to record in the multitrack environment. You'll be taken step-by-step through the process of selecting the correct sound device, adjusting session properties, basic tracking, adding track & clip effects, creating busses, and performing a final mixdown.

Download the Audition for Mac beta

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

In this short video, Jason Levine will show you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the 'key' here (ha ha) is the fact that Jason is running this process without rendering, leveraging the Mercury Playback Engine solely in software mode.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

This video features a technology preview of Adobe Audition on the Mac, focusing on the interface, file handing capabilities, and the incredible speed and precision of the editor.

Follow Chief Technology Officer Kevin Lynch as he walks the halls of Adobe headquarters and interviews several core members of the Adobe AIR engineering team.

The Academy of Art University is using technology to extend the physical boundaries of its San Francisco campus, and enroll over 10,000 students into online, accredited, degree and certificate programs. Jason Shaeffer, Director of Online Graduate Studies, shows how Academy of Art University uses Adobe technologies to improve the quality of their online courses, improve student access to those courses, reduce costs, and enhance the effectiveness of recruiting.

Learn how to put the new features in After Effects CS5 into action: see how the new Roto Brush, Mocha and and the Mocha Shape plug-in, color LUT support, and more can work in tandem with other CS5 Production Premium tools to transform your podt-production workflows.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

Join Jason Levine as he uses Adobe Premiere Pro and Magic Bullet to create the ‘look’ of his finalized video. He also shows you how to use Dynamic Link to modify a logo in After Effects.

In this episode of Short and Suite, Jason Levine teaches us how to animate Lower Thirds in Adobe Photoshop and then use that PSD in Premiere Pro and After Effects CS4.

In this Adobe After Effects CS4 tutorial, you'll learn how to use Video Noise Reduction plug-ins to clean up any noise you might encounter in your footage. Jason Levine walks you through the entire process.

Join Jason Levine as he uses Adobe Audition to clean up live audio tracks taken directly from the board (Which normally sound dry) and mixes them to sound dynamic and full of life.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

In this episode, Jason Levine show you how Premiere Pro and After Effects work together in terms of creating, transferring and sharing files.

In this Adobe Premiere Pro CS4 Tutorial, Jason Levine gives an in-depth look at how you can quickly efficiently collaborate with clients and team members with Clip Notes in Premiere Pro.

Learn the basics of normalizing, volume matching and equalizing your audio in Adobe Soundbooth CS4. Jason Levine tells you when each is applicable in this Soundbooth tutorial.

You've been told to think outside the box, but where can you go to find the most interesting and focused ideas? Go beyond the edges and learn how to be a better creative where there is no box.

"In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

Discover how to take your DVD creations and publish them to the web as a Flash based website. Jason Levine shows you how to do it in this Adobe Encore tutorial.

Learn all the ways Dynamic Link will improve your workflow across Adobe Creative Suite 4 production Premium applications. All this and Jason even invents a new word, “Renderless.”

Jason Levine walks you through the process of encoding for DVDs and Blu-ray Discs in this Encore CS4 tutorial. You’ll be blown away by how easy it is.

Get all the time saving facts on CS4’s Dynamic Link feature as Jason Levine shows how you can move instantly and seamlessly between Premiere Pro, After Effects and Encore.

Adobe Video Evangelist Jason Levine shows you how the Adobe Media Encoder CS4 can take a single Premiere Pro timeline and quickly export it out to multiple sources and formats.

The new Speech Search Technology in Premiere Pro CS4 lets you quickly and easily rough-cut dialogue in your video productions. Adobe Video Evangelist Jason Levine shows you how.

In pt 2 of Photoshop Dreamgirl, Karl continues to go over the new 3D features of CS4 Photoshop Extended and Jason shows how to stylize a 50's audio mix in Audition.

Join Jason Delmore as he discusses how Object-relational mapping tools simplify rapid application development by handling the complexities of CRUD operations (Create, Read, Update, and Delete.)

Karl shows how to map video onto a 3d object in Photoshop CS4 Extended, and Jason shows how to use Audition to create loops from live performances and Loopology content.

Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker.

Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

Carl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Karl covers the basics of Rotobezier masking and using Lumakey effects to add a shadow in After Effects CS3 while Jason explains Stereo Processing for guitars and Mastering the Mix in Audition 3.

Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master.