Adobe Bridge allows you to automate the offloading of camera. Here we see how to use it to handle file conversions, rename photos, embed preview files and assign copyright information.

In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

As well as supporting multiple script format templates, Story can automatically convert your film scripts into shooting scripts, with room for camera angles.

In this movie, author Jan Kabili explains how to import photos from your camera's memory card or your card reader into Photoshop Elements 11. Jan also discusses how to best organize and name your photos when importing them.

Video Highlights: Watch how to import from a wide variety of popular devices, from compact camcorders such as Flip cameras to DSLR still cameras. Then see how to experience fluid responsiveness and high performance when editing video, even HD.

It's SO easy to shoot a batch of images, import them into Lightroom, prepare them, and export them ready to email to others. We'll get an overview of the process in this jump-start.

In the second part I'll import the 4 clips into Adobe Premiere Pro. Edit them using the Multi-Camera tool, Sync the edits to audio and explain how to modify and improve the cuts. Then its time to use BCC effects and transitions. These effects can add so many creative options to the final edit. Here I'll be using the BCC Linear Wipe and BCC Jitter Time to create a very impressive final result.

In this episode, Total Training shows you how to capture media from a DV camera in Adobe Premiere Elements 8.