This video demonstrates Photoshop's tools to manipulate images to get proper perspective, removing the distortion caused by wide-angle lenses and then filling in the missing pieces.

Editing Images with Natural Language: Photo editing can be a challenging task, and it becomes even more difficult on the small, portable screens of mobile devices that are now frequently used to capture and edit images. To address this problem we present PixelTone, a multimodal photo editing interface that combines speech and direct manipulation. We observe existing image editing practices and derive a set of principles that guide our design. In particular, we use natural language for expressing desired changes to an image, and sketching to localize these changes to specific regions. To support the language commonly used in photoediting we develop a customized natural language interpreter that maps user phrases to specific image processing operations. Finally, we perform a user study that evaluates and demonstrates the effectiveness of our interface.

In this video, Corey Barker walks you through the various options available in Photoshop Elements 11 to add text to images. Learn about the creative ways in which you can apply text and manipulate various text-related settings.

In this lesson you will learn that type is not just that grey stuff that goes around images and line art. You will learn how to put text in motion and how to manipulate text properties in exactly the same way you would manipulate the properties of any other content in Animate.

This Creative Week Daily Debate discusses if digital photography is all tech and no talent. Knowledge of aperture, exposure and light settings is often considered an art form to be cherished, over auto-settings and quick fixes with all the work done in post-production. But in an age when everything is becoming digitalised, should traditional photographers be ready to embrace image manipulation?

This Creative Week Daily Debate discusses if digital photography is all tech and no talent. Knowledge of aperture, exposure and light settings is often considered an art form to be cherished, over auto-settings and quick fixes with all the work done in post-production. But in an age when everything is becoming digitalised, should traditional photographers be ready to embrace image manipulation?

This Creative Week Daily Debate discusses if digital photography is all tech and no talent. Knowledge of aperture, exposure and light settings is often considered an art form to be cherished, over auto-settings and quick fixes with all the work done in post-production. But in an age when everything is becoming digitalised, should traditional photographers be ready to embrace image manipulation?

This Creative Week Daily Debate discusses if digital photography is all tech and no talent. Knowledge of aperture, exposure and light settings is often considered an art form to be cherished, over auto-settings and quick fixes with all the work done in post-production. But in an age when everything is becoming digitalised, should traditional photographers be ready to embrace image manipulation?

This Creative Week Daily Debate discusses if digital photography is all tech and no talent. Knowledge of aperture, exposure and light settings is often considered an art form to be cherished, over auto-settings and quick fixes with all the work done in post-production. But in an age when everything is becoming digitalised, should traditional photographers be ready to embrace image manipulation?

Crop images faster and with greater precision using the all-new, nondestructive Crop tool. Rapidly manipulate your images on canvas and see your adjustments happen live thanks to the Mercury Graphics Engine.