In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

Learn to use the Preview Panel to generate a RAM Preview of your animation that plays in real time. Review the features available in the panel, how to adjust the work area in the timeline, and how to generate a preview to see your results at full speed. Also explore Frame Rate, Skip and Shift+Ram Preview, as well as the From Current Time feature. Finally, learn some handy keyboard shortcuts that can save you time.

Adobe Press and video2brain teach you about frame rates for footage items, compositions, and rendered movies, and how to modify each kind of frame rate to achieve the desired result.

Ever had some footage, and weren’t sure which timeline preset to use? Now, there’s an easy trick to get started editing natively.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

Former Adobe Flex SDK team member Chet Haase demonstrates techniques of measuring the performance of animations, and shows how the performance of effects, render events, and the SWF frame rate relate to each other.

You can animate purely in ActionScript by reviewing the basic geometry practices of animating. In this video, Doug reviews animation slope, frame rates and other elements to get you ready.

In this special "All Bets Are Off" episode of Red Giant TV, Aharon Rabinowitz shows you how to take 25P footage (PAL) and quickly convert it to 24 P (Film Frame Rate) using After Effects.

Create and name compositions. Select NTSC, PAL, and film presets, pixel aspect ratios, and frame rates. Nest multilayer compositions.