Scenes from popular 3D modeling and animation software CINEMA 4D can be used directly as footage inside After Effects CC without the need to render first. This eases roundtripping between the programs and opens up numerous creative possibilities.

Discover how you can use Adobe Photoshop to easily create polished videos from your DSLR video footage and stills. Watch as Adobe Digital Imaging Evangelist Julieanne Kost demonstrates easy workflows and techniques to create great videos using Photoshop. In this session, Kost will cover:• What's possible with creating videos in Photoshop• How to use the built-in video features introduced in Photoshop CS6• Step-by-step techniques for creating stunning videos• Understanding key techniques, tips, and tricks

Discover how the applications in Adobe Creative Cloud offer an integrated, seamless video production solution. Adobe Certified Instructor and Master Trainer Maxim Jago will highlight each production tool and demonstrate how to best use them all in the video creation process.In this session, you'll learn:• How to use Adobe Story to write and plan scripts and speed up the editing process in Adobe Premiere Pro• How to use Prelude for managing and logging footage• How to use Adobe Premiere Pro for editing• How Adobe Premiere Pro integrates with After Effects and Photoshop • How to use Adobe Audition for recording audio and creating multitrack music and soundtracks

Learn how to capture, organize, and edit footage shot from your DSLR camera using a post-production powerhouse of tools including Adobe Premiere Pro, Photoshop, and Lightroom. MAX Master Jason Levine will teach you how to better use Adobe tools to:• Organize your images and video using the powerful Lightroom• Fix problem video footage using DSLR features in Photoshop• Stabilize shaky footage and fix audio problems with Adobe Premiere Pro• Edit DSLR images and video and transform them into beautiful productions• Share your video using easy-to-define presets

Adobe Prelude helps you review, ingest, log, select, and export video, similar to how Photoshop Lightroom is used with images. Join MAX Master Jason Levine for an introduction to Prelude that will help you get the most out of this powerful production tool.In this session, you'll learn how to:• Organize your media from a shoot• Leverage the power of metadata to log your footage• Speed up your editing process using the unique logging features in Prelude

Eternal Scroll depicts the all too common issue of procrastination and easily accessible social media. Inspired by Strawberry Bootlaces, Eternal Scroll demonstrates the issue through a narrow yet generic perspective of an average student caught between the immediate entertainment of Tumblr and the long term benefits of academic excellence. The storyline directly involves the viewer allowing the audience to directly relate to the issue presented. Eternal Scroll combines animation and video footage and is presented in an exaggerated manner that is humorous and memorable thereby spreading awareness of the issue in a simple yet entertaining way.

In this video you'll see how easy it is to create a sequence with settings that match those of your footage, and learn why this is a good idea for performance and quality.

A compound effect is an effect that refers to, or takes values from, another layer in your comp. In this video we'll look at how this works by examining the Lens Blur effect, which can be used to create a pull focus effect on your layers. You'll see how to apply it selectively to specific areas of your footage using a Luminance Map we create using the Ramp effect.

The Warp Stabilizer effect is very useful for removing unwanted camera movement from footage, especially wobbly handheld shots. You'll get a demonstration of this amazing new feature in this video.

In this video you'll see how easy it is to repair rolling shutter artifacts, which are common in footage from DSLRs and mobile phone cameras, using the new Rolling Shutter Repair effect.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

Learn how Pond5's panel integration with Adobe Premiere Pro CS6 enables quick and easy access to stock media content right within the Adobe Premiere Pro CS6 application.

Learn how to trim your video clips manually as well as automatically. See how to manually drag handles to set in and out points for your clips, preview them, and even split them. Also see how to use Smart Trim to get rid of your least interesting, lowest quality footage. Set up Smart Trim to automatically cut bad footage or recommend cuts and then let you make the final decisions.

Is your video footage poorly exposed, or does it have bad color or contrast? Learn easy ways to fix these issues using Adobe Premiere Elements 11. This tutorial shows you how to use the Adjust options in Quick editing mode to apply an automatic fix, or to individually adjust color, lighting, and temperature and tint using sliders and adjustment previews. Also see how to quickly trim clips as you edit them together.

The new 3D Camera Tracker can give you some amazing results in analyzing 2D footage and creating a true 3D camera to work with. But there are times when the tracker gets “fooled”. In this episode, Colin uses real-world footage that includes a camera pan, moving subject and an escalator and shows what to do when the tracker gets confused by all that motion.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Many of the world’s biggest movies, TV shows and are shot on the RED cameras. Take a visit to CampRED where students as young as 9 years old experience how to shoot and edit with RED footage using an Adobe workflow.

Click here for more information about Camp RED

Examine 3D bendable layers and their properties, learn how segments and curves can be adjusted, and effects can be added to get creative, fun results.

See how you can use the new "Create Shapes from Vector Layer" command to convert your Illustrator documents to editable vectors in After Effects. See how a shape in Illustrator ends up as a Ray-traced, extruded 3D layer in After Effects.

Discover how to make your not-so-great footage look better using the new Rolling Shutter Repair effect. Get an overview of the effect controls and how to adjust them to get some nice results from your footage.

This movie shows how the multi-cam editing process has been expanded to include more camera angles and a dynamic multi-cam source monitor. It also shares some computer considerations to keep in mind when editing multi-cam footage.

Bring Photoshop editing power to your video footage. Easily enhance any clip using the full range of familiar Photoshop tools, and then create movies using an intuitive set of video tools.

Learn how to get to work faster with easy ingest of file-based footage, including the ability to duplicate, transcode, and verify virtually all formats.

Product Manager Al Mooney shows how to use the Warp Stabilizer effect in Adobe Premiere Pro CS6 to not just smooth the motion footage but to remove motion artifacts that would otherwise remain after stabilization.

Place and track 3D elements on 2D footage for precise visual effects and motion graphics. The 3D camera tracker automatically analyzes 2D footage in the background and places elements on that footage, with complete control over depth of field, shadows, and reflections.

Learn how Prelude CS6 gives you all the tools you need to quickly ingest and transcode your file-based footage.

Sr. Product Manager Patrick Palmer shows how to add impact to your footage with SpeedGrade CS6.

Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

Adobe research scientist Wil Li demonstrates a new experimental technology for creating seamless edits in interview footage that could significantly improve your video editing workflow.

Enhance your scenes or make your movie fit a desired length by getting rid of your least interesting, lowest quality footage. See how Smart Trim can automatically cut bad footage or recommend cuts to let you make the final decision.

Learn the best skills and techniques for editing DSLR video using Adobe Creative Suite 5.5 Production Premium. Thanks to their exceptional image quality, their low-light capabilities, and the ability to shoot using standard 35mm DSLR lenses that give your footage the look of expensive film-based cameras, HDSLR cameras are rapidly finding their way into video production at all levels.

Video Highlights: See how to automatically boost color tone and vibrance without affecting skin tones, or use sliders to adjust color with complete control. You can also independently adjust color in highlights, shadows, and midtones for perfect color throughout your movie. Version 10. http://adobe.ly/wYsKyS

Video Highlights: See how to create polished movies with almost no effort using creative techniques from Hollywood directors. Just choose a theme, and InstantMovie automatically finds your best clips, trims away bad footage, and edits the clips together with coordinated music, titles, effects, motion graphics, and credits. Versions 7 and up.

Video Highlights: Watch how to easily get rid of your least interesting, lowest quality footage to enhance your scenes or make your movie fit a desired length. Smart Trim can automatically cut bad footage or recommend cuts to let you make the final decision. Versions 8 and up.

This video will teach you how easy it is to take footage from Avid Media Composer to Premiere Pro.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Apply realistic blurs to perfectly shot footage to create elegant attributes of a soft focus image with the Camera Lens Blur effect in After Effects CS5.5.

Learn how to stabilize hand-held footage to look as if it had been shot with a complicated, expensive camera rig with the new Warp Stabilizer in After Effects CS5.5

The greatly improved Camera Lens Blur effect in After Effects CS5.5 allows you to add the same advanced iris simulations and highlight enhancements to already-shot 2D footage offered in CS 5.5 by the impressive new 3D camera depth of field.

The Stereo 3D Glasses effect has been updated in After Effects CS5.5, including better convergence and alignment options for correcting problem footage plus a wider range of stereoscopic viewing options. Color balance workflows are also explored.

See how to quickly apply the new Warp Stabilizer to footage for instant gratification, including setting the Smoothness amount as well as choosing between Smooth Motion and No Motion.

Explore the new Warp Stabilizer's advanced settings, including its innovative Synthesize Edges option. In the process, you will learn how to make custom adjustments to compensate for problem footage.

See how After Effects CS5.5 greatly eases the creation and control of stereoscopic camera rigs for 3D layers. Chris Meyer explains the resulting chain of compositions, including how to preview, where to add stereo footage, and what to render.

Watch Steve Forde, Adobe's Product Manager for Adobe After Effects, demonstrate a new way to transform shaky hand-held footage in After Effects.

Adobe Press and video2brain teach you about frame rates for footage items, compositions, and rendered movies, and how to modify each kind of frame rate to achieve the desired result.

Learn how to configure After Effects to use RAM and CPUs as appropriate for your computer system, your footage, and your project needs. You'll also see what hardware factors affect performance and what improvements can be made to increase performance.

Before diving in to the details, you'll want to get a big-picture view of After Effects. In this video, you'll see how the pieces fit together and learn the basic terms that will be used throughout this training.

Learn how to create realistic green screen footage by applying Delirium v2's LightWrap to your subject.

Create an HDR (High Dynamic Range) look with your video footage in minutes using simple techniques with Delirium v2's Grayscaler, Invert, and Gaussian Blur.

Learn how to use Photoshop CS5 Extended to remove wide angle lens distortion from high definition video footage shot with a DSLR camera.

Get a glimpse behind the scenes of Creative Sweet TV. Using Premier Pro to do a really quick and really effective green screen key. Using native AVCHD footage and very basic fold out screen. The entire episode created with Premiere Pro CS5.

In this episode, Total Training shows you how to capture media from a DV camera in Adobe Premiere Elements 8.

Acclaimed cinematographer, Shane Hurlbut, talks about how and why he uses Adobe Premiere Pro CS5 for editing DSLR footage for his training course, HDSLR Bootcamp.

Logging Clip Data & Capturing in Premiere Pro CS5.

In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.

Learn how to find gaps, extend edits, import HDV footage with scene detection, export frames, and more in Adobe Premiere Pro.

Learn about video editing with Adobe Premiere Pro. Import assets, find footage with Speech Search and Face Detection, composite and apply effects with the Mercury Playback Engine, and output through the Adobe Media Encoder.

Add layers to a composition by dragging footage from the Project panel into the Timeline panel. Change the stacking order of layers.

The first step in many After Effects workflows is to import footage, whether it's video, still images, or audio. Explore the multiple ways to import files and organize assets in the Project panel.

Learn about the After Effects workflow. Import footage into a project. Create layers in a composition by dragging footage into the Timeline panel. Render and export a movie by using the render queue.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you’re keying DV or HD.

In this video tutorial, Creative Cow contributing editor Eran Stern creates a colorful disco tunnel using shape layers and matching the look to a video footage using the color link effect.

An independent documentary filmmakers describes Adobe Premiere Pro's ability to manage large amounts of footage, and integrate stills and motion into a final film.

Indie Filmmaker, Jacob Rosenberg, explains how the Adobe workflow delivers high-quality projects at a low cost and enables the integration of footage shot in many formats.

This video provides an overview of using footage from the RED ONE camera inside of CS4 Production Premium.

Work with footage captured using Avid technologies directly inside of Premiere Pro CS4 without having to copy or transcode the media.

Get the most professional results with your green screen footage using Keylight in After Effects CS4. Jeff Foster will show you all the tips & tricks.

Acquire footage, edit, animate graphics, clean soundtracks, and create a DVD, using Adobe Production Premium CS4.

Get the most professional results with your green screen footage using Keylight in After Effects CS4. Jeff Foster will show you all the tips & tricks.

This episode shows you how to use Trapcode Form to create a dramatic transition where footage breaks into binary code, and re-forms as different footage.

Import footage from tapeless sources with the Media Browser, identifying single clips from the various files that make them up.

Learn how to capture video to a hard drive. Establish project settings. Locate, record, and play footage. View the Project panel.

Import assets such as video, audio, and graphics. Access and view the Media Browser. Preview and organize projects. Create bins.

Aharon Rabinowitz shows you how to add a motion blur to effects that don't support this feature. Also covered is adding blur to video footage that has been sped up.

Acquire footage, edit, animate graphics, clean soundtracks, and create a DVD, using Adobe Production Premium CS4.

Learn how to capture video to a hard drive. Establish project settings. Locate, record, and play footage. View the Project panel.

Import assets such as video, audio, and graphics. Access and view the Media Browser. Preview and organize projects. Create bins.

Tour the Timeline panel. Learn how to add footage from the Project panel to the Timeline. Use keyboard shortcuts to navigate the Timeline.

Learn how to add Footage into a 3D scene. Utilize news bumper C4D tags and After Effects nulls to add 2D content into the 3D scene without re-rendering.

Instructor Richard Harrington shows you how to stabilize shaky video shots inside of Photoshop.