Here we see how blending modes can be useful for filters. Discover how to combine effects in a way that allows you to work non-destructively, giving flexibility in reediting.

This video shows you how to make the most of the video editing features new to CS6. Trim and combine multiple shots, add soundtracks, color corrections and fades, and render video files, all in Photoshop.

Master a new way to mix audio in Premiere Pro. Infinite Skills author Jeff Sengstack shows how, in addition to mixing tracks, editors can control individual clips within the mixer interface and create smoother audio fades.

Audio is an important part of video projects. Jeff Sengstack explains how to control audio volume levels in a Photoshop video project. He shows you how to control audio levels on a clip-by-clip and for clips that extend for the entire duration of the project. He also shows you how to smooth the audio edits from one clip to the next using the fade feature and to use the audio fade with the video crossfade to smooth the opening and closing scenes of a video. Applies to the CC and CS6 versions of Photoshop.

Now that your sequence is edited, in this lesson you'll add a title, fade your clips up and down, and mix in some music.

Russell Brown offers two different approaches for creating a magical effect by painting with light on an image in Photoshop Touch.

In this lesson, Tom Green introduces the Timeline functionality in Flash Catalyst and explains how it differs from timelines in other applications. He shows how to create motion and effects between states using the Fade and Move functions.

This tutorial narrated by Tom Green provides an introduction to adding smooth transitions in Catalyst. See how to use Fade In and Fade Out functionality to transition from one image to another, using a mouse rollover as a trigger.

Go beyond the default settings for importing audio in Premiere Pro and control if all audio is imported as mono, stereo or 5.1. Colin will show you how do take control of all your imported audio and how to change and remap the output setting for each clip in your project. He’ll also show you the difference between Track keyframes and Clip keyframes and hot to use fader automation to create them.

Russell Brown starts with a composite image and then uses the Blur filter and the Add Fade effect to create a dynamic directional blur effect.