Learn three simple ways to adjust exposure, brightness, and/or contrast in your photos. The Instant Fix option in the Organizer offers great results fast. Quick Edit mode in the Editor workspace gives you a bit more control with sliders and adjustment previews. And the Brightness and Contrast Guided Edit offers step-by-step assistance so you can get exactly the look you want.

Low Key lighting is used to accentuate the contours of an object by throwing areas into shade while using a fill light to illuminate the subject and control contrast. Let Infinite Skills author Andy Anderson show you how to take an ordinary image and add a dramatic low key effect with the click of a button.

Learn how to add drama or energy to your movies by adding slow motion, fast motion, and reverse motion effects. See how to control effect speed and ease into and out of your effects with transitions.

This Adobe Muse release includes contact forms support, more precise design controls, and more efficient publishing support.

The Photoshop team did a fantastic job in unifying the 3D controls in Photoshop CS6 Extended - BUT, if you spent a lot of time learning the controls in version 5, you might be wondering exactly where they are. Colin shows where they are now and why they’re so much easier to use.

FrameMaker 11 has the ability to import rich video or 3D, and link various views of the graphic to text or tables. Ideal for medical devices, airline instrumentation documentation, etc.

Getting a little more sophisticated with tonal adjustments, in this lesson we'll explore controls that enable you to take full control over the luminance levels in your photos.

In this episode, join Senior Digital Imaging Evangelist Julieanne Kost as she shows off some of the new features of Adobe Photoshop CS6 Extended, part of the new Adobe Creative Cloud. See the blazingly fast performance of the new Mercury Graphics Engine. Learn about the new improved processing and enhanced controls in Adobe Camera Raw 7, the new photographic blur effects, how to straighten objects using the new Adaptive Wide Angle, and more. Explore many of the timesaving and user-inspired enhancements including new type styles, re-engineered Shape layers, and the all-new Crop tool. Also explore the intuitive video editing capabilities of Photoshop CS6 and 3D capabilities of Photoshop CS6 Extended.

This tutorial discusses the new paragraph style option for splitting a document for EPUB export. It also outlines the new options in the EPUB Export dialog box. Finally, it shows you the improved retention of text frame attributes in the EPUB's CSS and XHTML files.

Vector-based shape layers now behave very much like vector shapes in Illustrator, InDesign, and other Adobe applications. Learn how to apply fills, including None, as well as solid, gradient, and dashed strokes. Plus, you have stacking and alignment controls, as well as the option to snap the edges to the pixel grid.

In this movie, learn how to extrude a type layer in real time without sacrificing the ability to edit the type. Plus, you can use convenient HUD controls to adjust such attributes as depth, angle, and bevel without switching tools.

Explore the cleaner, more efficient interface design of the Source and Program Monitors. Learn about the customizable transport controls and the easy-access playback resolution.

The revised interface in Illustrator CS6 includes a new control panel across the top of the screen. It combines stable and context-sensitive options to make your work easier.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

In this movie, you'll learn about the revamped Audio Meter panel, its adjustable VU Meter controls, and the new, logical icon designs.

Explore the improved audio controls in Adobe Premiere Pro. Learn about the repositionable VU Meter, the Audio Mixer panel, and the ability to monitor solo, mono, and stereo content.

Learn about the new user interface for viewing or changing keyboard shortcuts in Adobe Premiere Pro. Then, discover some of the new shortcuts for common editing commands, such as matching frames, creating and playing loops, moving between editing clips, and exporting frames.

Use a vastly simplified user interface to intuitively create and animate 3D artwork. Use in-context and on-canvas controls to manipulate cages for 3D extrusions, change the orientation of scenes and objects, edit lights, and more.

Adobe Evangelist Jason Levine shows how to use control surfaces in Audition CS6.

Quickly switch between solid, gradient, and pattern color effects. Apply opacity control separately to Fill and Stroke dialog boxes to achieve better control and precision. Change colors more quickly with the improved color swatch.

Developer Evangelist Kevin Hoyt demonstrates the capabilities of device orientation and motion events, and how physical device interaction can be used to control content.

Mobile development just got a whole lot easier. Adobe Shadow allows web pros to easily control, view, and inspect web content on multiple devices via the browser. Managing Editor Julie Campagna interviews members of the Shadow development team.

Adobe Gaming Solutions Architect Allen Ellison catches up with Luke Lam of PlayJam to demonstrate PlayJam's popular games on a TV console, and use an iPhone to act as a control device. (Learn more about building TV games and apps.)

Motion blur is something that occurs naturally in photography but there are many ways that we can create realistic motion blur in After Effects too. Colin will show you the settings and options to help you control motion blur on animations, graphics and even on videos that don’t contain any movement at all. He will also demonstrate how to add motion blur to the many animation presets that ship with After Effects.

Go beyond the default settings for importing audio in Premiere Pro and control if all audio is imported as mono, stereo or 5.1. Colin will show you how do take control of all your imported audio and how to change and remap the output setting for each clip in your project. He’ll also show you the difference between Track keyframes and Clip keyframes and hot to use fader automation to create them.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration.

No need for expensive contact lenses, we’ll show you how to use the incredible planar tracker in mocha AE to track your eyes, export them as a Mocha shape layer and apply effects in After Effects to create that “white iris of the zombie” look. Another added feature in this episode is how to use Refine Matte to control the feather, spread and choke of the mocha shape layer. This effect gives you control of how much of the original iris shows around the edge stopping the new white iris from blending into the rest of the eye.

In this Episode of The Complete Picture, Julieanne demonstrates how to reduce the color palette of an image to create a posterized effect with the most control and maximum flexibility possible.

Join Karl Soule as he demonstrates how to use an external control surface to manipulate the controls of Color Finesse inside of Adobe After Effects.

Platform Evangelist Tomas Krcha demonstrates the ability to control an application on your desktop with your mobile device using Flash Builder.

In this episode of the Flex in a Week training series, you will learn about the Spark control properties and the elements of the Text Layout Framework.

In this episode of the Flex in a Week training series, you will learn about the Spark text controls.

In this episode of the training series, you will learn how to create multicomponent composite effects and to control the timing for when components appear and disappear during the animations.

In this episode of the training series, you will learn how to implement constraint-based layouts.

In this episode of the training series, will learn how to create states and how to build them using Flash Builder Design mode and Source mode. You will also learn how to control the display of the states through event handlers.

In this episode of the training series, will learn how to use the navigator containers, including the ViewStack container, which works with other UI controls to navigate content.

In this episode of the training series, will learn how to create both item renderers and item editors as drop-in, inline, and component implementations, how to use Spark components in the renderers, and how to handle a click event on an item in the DataGrid control.

In this episode of the training series, you will learn how to bind data to a DataGrid control and then define which data fields to display in columns.

In this episode of the Flex in a Week training series, you will learn how to apply a custom item renderer to two Spark List-based controls.

In this episode of the training series, you will learn about the UI components available in the Spark and MX libraries and the architectural difference between them.

In the real world, light intensity diminishes naturally the further lit objects are from the light source. The Light Falloff feature in After Effects CS5.5 gives you the controls you need to simulate natural illumination falloff in a 3D scene—or create other light intensity effects.

Ever wanted even more control when using the Bone tool? In this tutorial, Paul Trani shows you how to use Flash Professional CS5.5 to pin the tail of inverse kinematics (IK) bones to the stage while posing an armature. Pinning support enables you to isolate armatures for more precise control when posing.

Chris Meyer demonstrates the new 3D Point Control for expressions, plus the ability to tie together effects with complex arbitrary controls. He also lists the additions and enhancements to both expressions and scripting in After Effects CS5.5.

Learn how the new stereoscopic 3D camera rig plus resulting chain of compositions in After Effects CS5.5 are manipulated by the Stereo 3D Controls effect, including setting camera separation (inter-axial distance) and the convergence options.

See how to create photo-realistic or surreal HDR images with unprecedented speed, control, and accuracy. Get better-than-ever results thanks to automatic ghost removal and greater control with tone mapping and adjustments.

Learn details of how the host and presenter roles function. Learn how hosts manage other roles, and how presenters and hosts control the attendee viewing experience.

Join Remon Tjissen and Tim Kukulski, lead designer and lead computer scientist in Adobe XD, as they share their experiences designing and building multitouch creative applications for desktop and mobile devices. Through innovative demonstrations of new drawing methods and UI controls specifically designed for multitouch control, they will show why designers and developers should move past predefined ""gestures"" to deliver immersive experiences. The natural mapping provided by multitouch direct manipulation draws the user in with a high level of engagement and low cognitive load.

Dave Devisser, Adobe Evangelist, shows how to use the advanced layout controls offered by the OSMF components.

Dave Devisser, Adobe Evangelist, shows how to break out the main idea control objects in an OSMF media player.

The Court of Cremona is using Adobe LiveCycle solutions to securely automate the delivery, review, and management of case documents in Adobe PDF.

When the automatic Crop and Straighten features don't produce the result you're looking for, or you want to exercise more control over the process, the Straighten and Crop tools provide a solution. Learn how to use these tools to fix a crooked image.

A nice blue sky in an image can really make that image bright. Learn how to enhance the color of a blue sky and control the intensity of the color.

Use the Flash uncompressed XFL file format with a source control system to enable designers and developers to collaborate on Flash projects. Contributors can edit different assets simultaneously and see updated assets as soon as they are checked in.

Middle school students send adults a simple, but powerful message.

Get more functionality out of your keyboard by applying new concepts in ActionScript. Doug uses the code snippets in Flash Professional CS5 to program arrow keys to control objects.

Code snippets can introduce you to working with a TextField and with Text Controls inside ActionScript. Doug Winnie explores this new functionality in Flash Professional CS5.

Drag and drop actions in your Flash Professional project are made easy using code snippets. Doug demonstrates adding an object to the stage, and how to control the behavior of that object.

If your PDF doc contains interactive forms, you must make sure that the form's Tab Order is correct. In this video, learn how to do this with Acrobat 9 Professional.

LiveCycle Designer can be used to design and create your forms, but Acrobat 9 Professional allows you to add form controls directly to your pre-existing PDF content.

Learn how to use Subversion--an open-source version control system--and Dreamweaver CS5. Learn how to work with multiple versions of a web page and how to decide which version to make live at any time. An associated PDF offers troubleshooting tips.

Learn the components and features of the application window, including the application bar and control panel, to navigate the parts of a file and to set up a page correctly from scratch or find important information about a file.

Learn how to leverage video for Flash within your enterprise, including how to create an encoding portal and publish with Flash Media Server, as well as implementing access controls to protect your content with LDAP and Active Directory. This session will introduce how the Adobe created Adobe TV using our own products to help increase view times and employee attention while reducing costs. Go through the steps of deploying, configuring, and monitoring Flash Media Server within your network, and learn how to implement a publishing system for live and recorded media.

With Photoshop CS5 and Photoshop CS5 Extended, you can use new HDR Pro technology to create photorealistic or wildly surreal 32-Bit HDR images with unprecedented speed, control, and accuracy. Exposure Merge offers automatic ghost removal and greater control with tone mapping and adjustments so you can retain complete clarity and see the full tonal range.

Image Controls simplify the process of figuring out which adjustment sliders will affect certain areas of your photos. With CS4 you just open an image adjustment and click-and-drag on it and Photoshop makes all the corresponding adjustments.

Data paging filters and controls large sets of data being returned to clients. Duane Nickull uses new features of Flash Builder 4 along with a PHP class to gain access to a MySQL database.

With ColdFusion 9, you don't need to be a JavaScript expert to build the next generation of rich Internet applications. New tags like CFMAP, CFMEDIAPLAYER, and CFMESSAGEBOX make it easy to embed complex controls...

Doug demonstrates how to test multiple conditions at the same time using logic operators. Learn to customize your project with more control using basic Boolean logic commands.

Expanding on his previous video about working with timelines in ActionScript, Doug demonstrates using frame labels to create named frames and adding event handlers with AS3 commands.

Doug shows you how to work with encapsulated timelines in MovieClips, and introduces how to control internal MovieClip animations from the main timeline.

Using your advanced knowledge of ActionScript, Doug Winnie walks you through how to combine time events with event listeners to create and control time-based events.

Take a tour of the Full Edit interface in Photoshop Elements. This workspace gives you full control over editing and manipulating your photos.

In this After Effects tutorial, we'll look at some very useful techniques for Trapcode Particular that will give you better control of emitter position in 2D and 3D.

Understand how to use the Actions panel and use the trace statement. Doug Winnie walks you through the code to control objects created in Flash.

Use control handles to define the curvature of a segment. Use the Direct Selection tool and the Convert Anchor Point tool to create refined curves.

In this session you learn why: Custom events are a great idea; Animation goes hand-in-hand with moderation; The user owns the interface; Components-on-demand is a good plan.

Join Dean H. Saxe as he shows us what we really need to know about securing access to your ColdFusion applications.

In this session Chris Scott will introduce, Swiz, a framework for Adobe Flex that aims to bring complete simplicity to RIA development. Swiz provides Inversion of Control, event handing, and simple life cycle for asynchronous remote methods.

This movie covers the basics of the Label and Text controls within the Flex 3 framework. These controls are great for data entry or display.