Exporting videos and animations can be a tricky process when you consider the wide variety of settings and attributes. In this tutorial you'll learn some basic theory and the simple steps required to generate high quality videos for submission to Adobe Youth Voices using Adobe Premiere Elements.

Exporting videos and animations can be a tricky process when you consider the wide variety of settings and attributes. In this tutorial you'll learn some basic theory and the simple steps required to generate high quality videos for submission to Adobe Youth Voices using Adobe Premiere Elements.

Exporting videos and animations can be a tricky process when you consider the wide variety of settings and attributes. In this tutorial you'll learn some basic theory and the simple steps required to generate high quality videos for submission to Adobe Youth Voices using Adobe Premiere Elements.

Description - Exporting videos and animations can be a tricky process when you consider the wide variety of settings and attributes. In this tutorial you'll learn some basic theory and the simple steps required to generate high quality videos for submission to Adobe Youth Voices using Adobe Premiere Pro.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Flash player 10 supports a new "Flow Protocol" for Real Time Media and adds a higher fidelity audio codec (Speex). Lear all about RTMFP in this episode.

See Apple's FCP and ProRes 422 codec workflow in Premiere Pro and After Effects, and Blu-ray authoring in Encore.

Check out our new NATIVE support for Panasonic's P2 line of cameras. Ingest, Edit, and Export Native P2 MXF files with no Codec conversion. You can even share projects between Win and Intel OSX.

Here's After Effects CS3 working with NATIVE Panasonic P2 MFX files. Import P2 files directly into AE and start working immediately no codec conversion needed. Amazing P2 workflow for our video suite.