Learn to edit from sequences loaded into the Source monitor. Infinite Skills author Jeff Sengstack demonstrates Premiere Pro's ability to let editors place any number of clips in a sequence, open that sequence in the Source Monitor, and select segments and add them to another sequence. The feature harkens back to a frequently used feature film-editing technique, called a KEM roll, whereby editors put multiple takes of the same scene on the same reel, giving the director an easy way to select the best take.

In the past, subclips had “hard” in- and out-points, limiting their flexibility when editors needed more head or tail frames for video cross-dissolves or audio crossfades. Infinite Skills author Jeff Sengstack shows you how to create subclips with “soft” edits in Premiere Pro, meaning editors are no longer limited to the original in- and out-points in the subclips.

Adobe Prelude manages your video ingest workflow, making it fast and easy to ingest media in any format, log video, enter metadata, preview and organize clips, and create a rough assembly before exporting to Premiere Pro for editing. Author Justin Seeley gives you a tour of this amazing timesaver. Learn more from the full courses at Lynda.com.

Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Photoshop video and animation features let you put video clips, images and graphics in motion. Jeff Sengstack shows you how to use "keyframes" to zoom a clip up and position it over another clip, spin a clip on screen and slide a clip into the scene. Applies to the CC and CS6 versions of Photoshop.

One of the nifty features of the animation and video editing side of Photoshop is that you can apply any Photoshop filter to a video clip, image, or graphic. Jeff Sengstack not only explains how to work with filters in video projects but also shows you techniques he came up with to animate filter properties over time and use filters as video transitions. Applies to the CC and CS6 versions of Photoshop.

Audio is an important part of video projects. Jeff Sengstack explains how to control audio volume levels in a Photoshop video project. He shows you how to control audio levels on a clip-by-clip and for clips that extend for the entire duration of the project. He also shows you how to smooth the audio edits from one clip to the next using the fade feature and to use the audio fade with the video crossfade to smooth the opening and closing scenes of a video. Applies to the CC and CS6 versions of Photoshop.

Jeff Sengstack shows you how to do basic video editing. He explains how to put video clips on a timeline, review those clips to come up with an editing plan, rearrange the clips into a logical order, delete unneeded clips, and trim the clips to take out unwanted footage. Jeff goes on to show you how to several video editing techniques including making "matched-action" edits to enhance your video story-telling techniques. Applies to the CC and CS6 versions of Photoshop.

What might come as a surprise to long-time Photoshop users is that Photoshop has animation and video editing features. In this video, Adobe certified Photoshop expert and InfiniteSkills.com author Jeff Sengstack demonstrates the range of animation and video editing features available in Photoshop. He shows how to arrange video clips on a timeline, add transitions, create picture-in-picture layouts, place titles and graphics on video clips, put graphics in motion in a video project and add and adjust audio. In addition, he shows that you can use other Photoshop features like layer styles in video projects. Applies to the CC and CS6 versions of Photoshop.

Often, in After Effects, it’s valuable to trim and move layers in a project the same way you would edit individual clips in a video-editing application like Premiere Pro. In this movie, Ian Robinson shows how to trim and re-time multiple individual layers, each with their own animations, to create a complete composited animation.

There is a lot of information about clips and sequences to be found in the Timeline with a few clicks. This movie demonstrates how to show and hide essential information that will help with the decision-making process during editing. This includes audio waveforms and keyframe controls right in the Timeline. It also covers different options for thumbnail previews of the clips in the Timeline and methods for enlarging and shrinking certain areas of the Timeline for greater control.

When it comes to performing precise edits without changing the timing of other clips on the Timeline, a three-point edit is a mainstay. Abba Shapiro shows how to perform a three-point edit to place a clip into the Timeline in an exact potion with an exact trim length.

In this movie, it’s time to get started with an editing project. The first step is to import media—all of the raw video, photographs, and audio that will be edited together into a final movie. Abba Shapiro demonstrates how to import individual files, or complete folders full of media. He explains how files are stored and linked to a project. He also demonstrates how to browse and preview clips on the hard drive before importing them into Premiere Pro.

The Timeline is where clips are edited together to create a complete narrative. In this movie, Abba Shapiro demonstrates the basic techniques to get started trimming clips and laying them out in the Timeline. He starts by browsing clips in the Project panel. Then he previews and trims clips in the Source Monitor before adding them into the Timeline to begin an edit.

Now that your sequence is edited, in this lesson you'll add a title, fade your clips up and down, and mix in some music.

Most of the time, when you make adjustments to your media, you'll do it using Premiere Pro's trimming controls. This lesson shows you several of the ways you can adjust the start and end points of your clips.

Technically, even a straight cut is a transition, but for video editing, we usually think of a transition as a special effect than blends one image into another. This lesson shows you how to add, adjust, and remove special transition effects.

In addition to using in and out marks to add or remove video and audio, you can use the segments themselves. This lesson shows you the two ways you can remove complete clip segments from a sequence.

One of the most daunting video editing tasks is looking through hours of shaky, out-of-focus, or poorly lit video just to find the good stuff. Use Adobe Premiere Elements 11 content analysis tools to help you quickly and automatically find your best clips.

InstantMovie is just what it sounds like. Simply select a few clips, choose a movie theme, and click a few buttons, and almost instantly you’ll get a fully edited video with professional-quality transitions, effects, and music.

Is your video footage poorly exposed, or does it have bad color or contrast? Learn easy ways to fix these issues using Adobe Premiere Elements 11. This tutorial shows you how to use the Adjust options in Quick editing mode to apply an automatic fix, or to individually adjust color, lighting, and temperature and tint using sliders and adjustment previews. Also see how to quickly trim clips as you edit them together.

Get a clear overview of Adobe Premiere Elements 11 with this tour of the Organizer and Editor workspaces. See where to import clips, preview them, organize them into albums and folders, add tags and other information, create InstantMovies, and quickly share in a variety of ways. Also see what's included in the Quick and Expert editing workspaces, and get a look at enhancement options including transitions, effects, music, and more.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

Take a look at the Prelude panel which integrates into deltatre’s production logging application. See how to take advantage of a broad range of valuable features, including the ability to attach global metadata to clips, manually create participant and production specific Vocab panels and create unlimited timecoded log markers.

Learn about the new user interface for viewing or changing keyboard shortcuts in Adobe Premiere Pro. Then, discover some of the new shortcuts for common editing commands, such as matching frames, creating and playing loops, moving between editing clips, and exporting frames.

Bring Photoshop editing power to your video footage. Easily enhance any clip using the full range of familiar Photoshop tools, and then create movies using an intuitive set of video tools.

Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.

See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.

See how to edit video in Photoshop CS6 beta. Colin Smith teaches you about timelines, multiple clips, transitions and more. From the PhotoshopCAFE Photoshop CS6 beta Launch site. http://www.photoshopcafe.com/cs6

In this video, Nicholas Bryan shows you a sneak peek of a potential new feature for video editing software that synchronizes video clips taken with different cameras and different vantage points into a single, immersive video.

Video Highlights: See how to create polished movies with almost no effort using creative techniques from Hollywood directors. Just choose a theme, and InstantMovie automatically finds your best clips, trims away bad footage, and edits the clips together with coordinated music, titles, effects, motion graphics, and credits. Versions 7 and up.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

See how Al Mooney, Product Manager for Adobe Premiere Pro, integrates script, written or edited in Adobe Story, with Premiere Pro for faster and smoother editing of clips.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

In the second part I'll import the 4 clips into Adobe Premiere Pro. Edit them using the Multi-Camera tool, Sync the edits to audio and explain how to modify and improve the cuts. Then its time to use BCC effects and transitions. These effects can add so many creative options to the final edit. Here I'll be using the BCC Linear Wipe and BCC Jitter Time to create a very impressive final result.

In this tutorial, Sr. Worldwide Evangelist Jason Levine takes you through the process of setting up the Adobe Audition for Mac beta to record in the multitrack environment. You'll be taken step-by-step through the process of selecting the correct sound device, adjusting session properties, basic tracking, adding track & clip effects, creating busses, and performing a final mixdown.

Download the Audition for Mac beta

Learn how to setup your camera correctly for the appropriate white balance, color quality, and recording format. You’ll also discover how to get better focus and create more stable shots when shooting video with your DSLR camera. Find out how to review clips, drop clips into the timeline, and adjust levels, saturation or color in Adobe Premiere Pro.

In Part 2 of this multi-part series, Jason Levine will cover the most common editing functions of Premiere Pro CS5, including the ability to set defaults for image and transition durations, adding transitions between clips & images (like cross-dissolves, dip-to-black and more), basic scaling/resizing, rippling, and cutting.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Quickly perform editing tasks directly on audio clips. Trim audio clips. Use the Fade In and Fade Out controls. Explore the Amplitude slider. Undo edits.

Mix multiple audio clips and scores to create Flash and video soundtracks. Save to Adobe Sound format to restore edits with snapshots.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Transcribe spoken words to text. Use Speech Search to find precise locations in clips and make editing clips of speaking talent quicker.