Separating desired audio from background noise is a painful process. Or rather, it was. Use a visual editor to paint the sounds you want while identifying those you don't, and this tool will do the rest. It is early prototype technology that we are working on in our development labs. This is not part of any Adobe product but is an example of capabilities that we could include in future years.

Join Max Master Jason Levine as he teaches the best ways to record voice-overs and clean up voice audio. Making a quality recording of a person’s voice is deceptively difficult, and this session will give you essential tools for making your recordings sound their best.In this session, you’ll learn how to:• Choose the best microphone• Set up the appropriate recording environment• Remove ambient noise before and after your recording

Featurette: Wow your audience with sight and sound. Export your content in full high-definition video and audio — even from complex timelines or script-driven animations — all without dropping frames.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

Edit audio with extraordinary precision. Easily remove specific audio elements in just a few clicks using the new Sound Remover. With Preview Editor, you can visually compare waveform tweaks, view multiple file sections simultaneously, and more.

Get precise control of your sound with the Audio Clip Mixer in Adobe Premiere Pro CC. Adjust each clip independently for a perfect mix. Improved multicam editing makes working with multiple video angles easier. Sync entire bins of footage all at once using audio waveforms.

Learn to use Premiere Pro's audio waveform auto-sync feature. Infinite Skills author Jeff Sengstack demonstrates how to automatically align and merge clips in Project panel, in the timeline, and when setting up a multicam project.

Audition's Preview Editor shows a split-screen of your waveform before and after a change, so you can visually confirm an edit before you apply it. Jeff Sengstack, the InfiniteSkills.com author of Learning Adobe Audition, explains how to use the feature and why it's especially useful for effects that alter clip duration.

Jeff Sengstack, the InfiniteSkills.com author of Learning Adobe Audition, presents Audition’s Generate Noise effect. Jeff shows you how to create standard noises – white, pink, gray and brown – and offers tips on how to adjust noise parameters and apply effects to noise files to create exciting sound effects.

Conform to today's broadcast regulations with a loudness monitor you can reference as you work. The TC Electronic ITU Loudness Radar panel provides visual feedback so you can quickly find and fix audio passages that exceed volume limits.