A Live 3D Pipeline in After Effects CC brings CINEMA 4D scenes in as layers — without intermediate rendering. Separate complicated elements from backgrounds using the Refine Edge tool. Stabilize specific objects within a scene with Warp Stabilizer VFX.

Adobe Creative Cloud provides all the tools you need to go from script to screen and beyond to create your greatest work. It gives you the very latest versions of the tools and services you love, coupled with more efficient ways to collaborate with your peers and share your work with the creative community. In this video, Adobe Evangelist Jason Levine showcases many of the tools, including Adobe Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Story CC Plus, and Adobe Audition CC. You can now access Creative Cloud from the web, from the applications you love, from your desktop, or even from your mobile device.

Learn how to use the new Refine Edge and Refine Matte tools — similar to those found in Adobe Photoshop CC— in Adobe After Effects CC.

It's the end of hard matte lines. Keep the details when separating complicated foreground elements like frizzy hair or motion-blurred edges from complex backgrounds. This means you can create natural-looking composites without keying specially shot footage.

A major upgrade to the much-loved Warp Stabilizer, VFX adds the ability to choose which objects within a scene get stabilized, reverse a stabilization, and preserve a scene's original scale to fix tricky shots such as aerial fly-throughs.

Find out what makes Adobe After Effects Next an essential upgrade for animators, compositors and designers. Jason Levine of Adobe and Mathias Omotola of Maxon show the new Live 3D Pipeline between Cinema 4D and After Effects. Other exciting features are the new Refine Edge that makes rotoscoping easier and the more flexible Warp Stabilizer VFX.

After Effects has evolved throughout the past 20 years to make rotoscoping a less eye-bleeding task. Check out how After Effects has changed throughout the years and get a sneak peek at the evolution of rotoscoping.

VFX Supervisor, Patrick Murphy, shares some of his defining moments when working in After Effects and how it opens up his creative possibilities.

Dylan Chudzynski, VFX supervisor, users After Effects to pull off the most advanced techniques in a cheaper, easier and faster way.

Paul Graff, multi-award winning VFX supervisor, of Crazy Horse Effects talks about how After Effects inspired him to love pixels and blow up stuff.