The Three-Way Color Corrector effect has been redesigned to make color correction easier, especially secondary color correction. In this video you'll see how to make the most of it.

In this video you'll see how fast and robust Dynamic Link has become and learn about the ability of After Effects and Premiere Pro to work together, even without being part of a suite package.

The limitation on the number of camera angles in a multicamera sequence has been removed in Premiere Pro CS6. In this video you'll see just how easy it is to create a new multicamera sequence and switch between camera angles.

In this video you'll see how markers have been improved in Premiere Pro CS6. You'll also get an overview of Adobe Prelude and how markers can be imported from Prelude to Premiere Pro.

Premiere Pro CS6 includes several features designed to help you edit quickly and precisely with the keyboard, including the new trim mode, dynamic trimming commands, and JKL trimming commands. You'll learn how to apply these to your work in this video.

In this video you'll see how easy it is to create a sequence with settings that match those of your footage, and learn why this is a good idea for performance and quality.

In this video you'll see how the Project panel, Media Browser panel, and default workspace have changed to make it easier to find and trim assets easier. You'll also learn how to use the new Hover Scrub feature to quickly preview and trim clips.

You can use the built-in Adobe Media Encoder to render and export many kinds of files within After Effects, or use the standalone Adobe Media Encoder application to render and encode movies outside of After Effects. Batch encoding and using a watch folder in Adobe Media Encoder can save time and free After Effects for other tasks, as you'll see in this video.

In this lesson we'll use time remapping to achieve three specific results: slow motion, a freeze frame, and reversed playback of a layer.

When someone has had the foresight to film a subject in front of a solid-color background, compositing work gets a lot easier. This video shows you how to use the Keylight effect to key out (make transparent) a solid-color background and use a garbage matte to isolate the area to be keyed.