Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Conform to today's broadcast regulations with a loudness monitor you can reference as you work. The TC Electronic ITU Loudness Radar panel provides visual feedback so you can quickly find and fix audio passages that exceed volume limits.

Join one of the most popular open source projects on Github.com and contribute to the code editor dedicated to improving web development and design. This session will provide everything you need to start hacking on Brackets and contributing to the project. Principal Scientist and lead contributor to Brackets, Glenn Ruehle, will :• Help you configure your environment for development and testing• Explain how to manage the git repositories and work with GitHub• Identify features and bugs the project needs your help with

Learn about Brackets, a new open source project started by Adobe to push tooling on the web forward. Built in JavaScript, HTML, and CSS, Brackets is MIT licensed and developed openly on GitHub. This session will provide an overview of the project and describe how to get involved.The Brackets open source product manager, Adam Lehman, will share:• Innovative and unique features for web designers and developers• The goals and structure of the project• Extending Brackets with JavaScript• How to contribute to Brackets

Learn about Adobe Edge Code, a lightweight editor with features that focus on productivity for web developers. This session will cover how to use the core features of Edge Code, as well as how to enhance it with extensions.This session will teach:• How to get up and running with Edge Code• How to access and make the most out of Live Preview, Inline Editing, and more• Where to find extensions and how to use them

Adobe's XD Seed team was tasked with inventing the future of collaborative workspaces. Learn how Anna Wintour, editor in chief of Vogue magazine, helped inspire this vision. We'll show how the Context project came to life.Adobe XD's Remon Tijssen, principal designer, and David Macy, principal incubator, will present:• Why WIRED says, "I can't tell you how excited we are about Context and the creative liberties it is going to provide us"• How trends in technology such as touchscreens, sensors, and multidevice interfaces change the way we collaborate• The energetic beauty of a system based on simple containers and high-performing, natural gestures• The evolution of Context from prototype to production code

Discover fast editing and advanced post-production skills with Adobe Premiere Pro. Maxim Jago, Adobe Certified Instructor and Master Trainer, filmmaker, and coauthor of the Adobe Premiere Pro Classroom in a Book, brings you techniques that will set you apart as an editor.Take your post-production skills to the next level and learn:• Color correction techniques for creative and industry-standard results• Editing shortcuts to achieve more in less time• How to composite timelines• When to switch applications for more advanced work• Special techniques for multicam editing

Learn pragmatic techniques for building JavaScript apps that are robust, maintainable, and fast. Explore new tools that can improve your coding productivity, and take a peek at what's coming down the road.Peter Flynn, lead contributor to the Brackets open source project, will discuss:• Writing cleaner code via modules, type annotations, and frameworks• How to use the powerful performance tools built into modern browsers• Code editor innovations that help you work faster and with fewer mistakes• Tools and habits to make the most out of JSLint and JSHint• How to track bugs and performance problems on end users' browsers

Saturday Night Live Film Unit Editor, Adam Epstein details the insane schedules that create SNL film content and how Adobe tools help make it all possible.

Redesigned Adobe SpeedGrade offers powerful tools for precise color correction and creative look design for colorists, editors, and visual effects artists. In this presentation, Karl Soule, Adobe Business Development Manager, will introduce the new face of SpeedGrade, including the new Shot Matcher, Look manager, and film stock emulations, and demonstrate color grading workflows with Adobe Premiere Pro.

Editor Vashi Nedomansky has been cutting with Premiere Pro for features, commercials and music videos for over 5 years, now the industry is turning to him to help them get up to speed with Premiere Pro. Learn why Vashi chooses Premiere Pro and why he believes the continued refinement in Premiere Pro Next makes it best choice for editing.

Al Mooney gives insight into the next version of Premiere Pro, a release that has been built from direct engagement with customer –including luminary filmmaking team the Coen Brothers, who will be editing their next feature film slated for production in 2013 exclusively with Premiere Pro.

Director/editor Kyle Patrick Alvarez reacts to new features in Premiere Pro Next and the "sheer extent of technology" that is NAB.

Director/Editor/Author Mitch Jacobson explains the value he sees in getting certified on Adobe Premiere Pro through training available at the Post Production World Conference.  

Sundance director/editor Jim Mickle talks about the process behind his feature film "We Are What We Are", edited exclusively using Adobe Premiere Pro via Adobe Creative Cloud and how he believes that Adobe integrated video tools and the subscription based software model of Creative Cloud is the very best option for independent filmmakers.

This year Adobe presented a panel in Sundance's New Frontier creative space: "From Script to Screen - How Technology is Empowering Filmmakers".

In PART TWO we connect with the panelists and learn how technological advances impact, inspire, & and influence their workflows.

About the panelists:
Tyler Nelson - Assistant Editor, House of Cards, Girl with the Dragon Tattoo, Social Network

Bill Yukich - editor, music videos (Shakira, Pitbull, Red Hot Chili Peppers) and commercials (Volvo, Coca-Cola, Proctor & Gamble)

Bayan Joonam - Head of Production, SoulPancake

Adobe had the distinct pleasure of continuing its partnership with Sundance Film Festival again this year. We set out to learn how Adobe Pro Video solutions are impacting independent filmmaking.

In PART ONE you'll hear from featured directors, producers and editors who utilized Adobe's Creative Cloud to streamline and enhance their workflow – and other filmmakers who are already planning to do so for their next projects.

Writer/director/editor, Kyle Patrick Alvarez, talks about his latest movie and how he used the tools in Adobe Creative Cloud to make it.

Learn how an off-the-shelf Digital Asset Management (DAM) application integrates with Adobe Premiere Pro CS6 and enables editors to work entirely within the Adobe Premiere Pro CS6 application.

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

The foundation of Harmonic’s solution is the Media Application Server (MAS), a SOA-based platform that hosts and coordinates applications that comprise an enterprise-class content management, preparation and delivery platform. Built in conjunction with MediaSmiths, the Adobe Premiere CS6 content panel allows editors to directly browse & select content managed by their MAS system, pulling the content directly into to an edit session.

Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.

This lesson provides new editors with an overview of the editing process in Premiere Pro.

Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.

Mobile development just got a whole lot easier. Adobe Shadow allows web pros to easily control, view, and inspect web content on multiple devices via the browser. Managing Editor Julie Campagna interviews members of the Shadow development team.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

See how Rudy Sarzo, Heavy Metal Rocker-turned Video Editor, harnesses the power of Adobe CS5 Production Premium and HP Mobile Workstations to fuel his creativity.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Photoshop is the most powerful image editing software in around so it stands to reason that it would be very useful in creating titles and graphics for a video production. Watch this inaugural episode of Premiere Pro Basics in Adobe Beginner Classes to get some of the essential skills necessary to become a productive editor.

See how young assistant editor on The Social Network carved out an expanded role on the production thanks to tech savvy and knowledge of Adobe’s video tools.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro editors how to use the export function in Adobe Premiere Pro CS5. Editors will learn how to output virtually any format for web, broadcast and dvd/Blu-Ray. Karl also shows how to export OMF, AAF and Final Cut Pro XML for use in a collaborative editing environment.

Industry veterans Karl Soulé and Kevin Monahan discuss useful tips a Final Cut Pro editor should know when starting a project in Adobe Premiere Pro CS5.

Industry veterans Karl Soulé and Kevin Monahan discuss one of the main differences between Final Cut Pro and Adobe Premiere Pro CS5: how to setup a new project. Final Cut Pro editors will learn how to create and modify a new project, as well as learn how to avoid common 'gotchas'.

Industry veterans Karl Soulé and Kevin Monahan talk about keyboard shortcuts in Adobe Premiere Pro and how to customize the keyboard to make it more familiar for Final Cut Pro editors.

Karl Soulé and Kevin Monahan discuss the editing similarities between Final Cut Pro and Adobe Premiere Pro CS5, and show a few basic techniques that will help Final Cut Pro editors start editing projects right away.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

In this video tutorial, Creative Cow contributing editor Eran Stern demonstrates how to create extreme slow motion video using few still frames, with RE:Vision Twixtor Pro.