This movie explores the different options available to create a sepia tone on your images. Experiment with Gradient Maps, Actions, and Color Lookup Adjustments to find an effect that suits your image.

Learn how you can use the colors in one image to affect another with a Gradient Map. Sample the colors you wish to apply, and experiment with blending and opacity to find the best fit for the new image.

Gradient maps are great for adding tint or tone to an image. This video shows how you can use this tool to get sepia and duotone effects.

Discover how to use the new Lightroom 4 Map module to sort and manage your images based on location information.

Object Style Options now has an new Export Tagging feature. Learn more about it in this video from Train Simple's InDesign Training.

See how Adobe Muse makes it easier to create optimal and memorable experiences for your website visitors. Now visitors will be able to sign up for newsletters, register for events, and view photos and other content, all using built-in tools that can be configured and styled to look like the rest of your site design. In this session, Adobe Evangelist Terry White will demonstrate how to add rich interactivity to:• Keep your content organized with custom navigation, tabs, and accordions• Add interactive slide shows, lightboxes, and contact forms• Embed arbitrary HTML to add maps, videos, social media buttons, and feeds.

Jeff Sengstack explains how to apply "bump maps" to 3D objects and then adjust them. Bump maps give 3D objects texture -- bumpiness. They can make a reptile's skin look rough, create a sense of contours on the surface of a planet, or make a smooth sphere look like the skin of an orange.

Jeff Sengstack walks you through a basic Photoshop 3D project. He briefly explains the features and properties associated with the 3D aspects of Photoshop including the Properties panel, textures, "bump" maps, adjusting opacity, and controlling the object's position and rotation. He demonstrates the 3D camera and goes over Environment features including "image based lighting," shadows and the "environment map."

Editing Images with Natural Language: Photo editing can be a challenging task, and it becomes even more difficult on the small, portable screens of mobile devices that are now frequently used to capture and edit images. To address this problem we present PixelTone, a multimodal photo editing interface that combines speech and direct manipulation. We observe existing image editing practices and derive a set of principles that guide our design. In particular, we use natural language for expressing desired changes to an image, and sketching to localize these changes to specific regions. To support the language commonly used in photoediting we develop a customized natural language interpreter that maps user phrases to specific image processing operations. Finally, we perform a user study that evaluates and demonstrates the effectiveness of our interface.

A compound effect is an effect that refers to, or takes values from, another layer in your comp. In this video we'll look at how this works by examining the Lens Blur effect, which can be used to create a pull focus effect on your layers. You'll see how to apply it selectively to specific areas of your footage using a Luminance Map we create using the Ramp effect.