Here you can find out how to replace blown out skies with an alternate backdrop. Then apply a little bit of color spill to bring out details in the scene and ensure that the composite matches.

In this Quick Tip, Julieanne quickly demonstrates how to create a 32-bit file from multiple exposures in Photoshop and then, using the Develop module in Lightroom 4.1 refines the image's color and tonality both globally and selectively - all while still working in 32-bit! In the tutorial, I don’t believe that I mentioned that when I choose Edit > In, my default setting is to hand off a TIFF file to Photoshop. That way, when I save the file, it saves a 32-bit TIFF – which is what Lightroom prefers (not a PSD file).

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

Looking for something dynamic and new for your After Effects work? In this second of a four part series, Dennis shows the essential techniques to have elements come together in smokey bits again with no third party effects.

Joel describes how to create a .NAV file from its component parts and install it into Acrobat.