In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

The session explores techniques and possibilities in harnessing the latest technologies to create groundbreaking visual effects for motion pictures, video and commercials. Learn to leverage tools to create stunning motion designs.

Interactive design is not just a passive experience, but must be one that draws in and engages your audience - repurposing complex information and ideas into intuitive layouts and mechanisms that excites audiences. Incorporating best practices and techniques in immersive graphic design, motion design, navigation, and user experience, this master class focuses on helping you build magnetic experiences audiences tell their friends about, and go viral.

Introduction & Welcome Address of Adobe Design for Impact 2011, Asia Pacific by Vicky Skipp, Regional Director, Adobe Systems.

Watch as GridIron Software presents Flow, a new way to manage your assets, and Nucleo Pro, a must have plug-in for Adobe After Effects.

Watch as MOTU's Dave Roberts presents their new firewire based hardware solution that is compatible with Premiere Pro CS3.

Join Matrox as they showcase how their hardware tightly integrates with CS3 Production Premium to provide unparalleled real-time results.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

Find out how Adobe's Digital Education Solutions have been used by NSW Dept of Education and Training to create teaching resources as well as how teachers working in the field are using the Adobe solutions to drive digital literacy in the classroom.

The production of effective and inexpensive interactive learning objects is a constant challenge for any institution’s instructional development team. Britt Carr shares strategies for customizing and randomizing learning objects to make them truly interactive and personal for the online/hybrid learner. He also discusses how separating content from context can make learning objects re-usable across vertical and horizontal areas within an institution.

Teaching solid design skills in a rapidly changing educational and technological arena poses challenges for institutions striving to give their graduates a competitive edge in the workplace. Bill Galbreath shows how the students at Full Sail University are using the power of the CS4 Master Collection to streamline workflow and create videos and motion graphic pieces, from concept to delivery in multiple mediums. Using many examples, he shows how the students use Premiere Pro, After Effects and Encore together to give life and meaning to their creative concepts while at the same time learning the professional workflows that can translate directly to their career choice.

Find out how Adobe's Digital Education Solutions have been used by NSW Dept of Education and Training to create teaching resources as well as how teachers working in the field are using the Adobe solutions to drive digital literacy in the classroom.

The production of effective and inexpensive interactive learning objects is a constant challenge for any institution’s instructional development team. Britt Carr shares strategies for customizing and randomizing learning objects to make them truly interactive and personal for the online/hybrid learner. He also discusses how separating content from context can make learning objects re-usable across vertical and horizontal areas within an institution.

Teaching solid design skills in a rapidly changing educational and technological arena poses challenges for institutions striving to give their graduates a competitive edge in the workplace. Bill Galbreath shows how the students at Full Sail University are using the power of the CS4 Master Collection to streamline workflow and create videos and motion graphic pieces, from concept to delivery in multiple mediums. Using many examples, he shows how the students use Premiere Pro, After Effects and Encore together to give life and meaning to their creative concepts while at the same time learning the professional workflows that can translate directly to their career choice.

As you can see nothing can stop Colin Smith from getting those power tips your way! New season coming soon so stay tuned!

In this episode, you'll see how the applications within Production Premium work together including Premiere Pro, After Effects, Media Encoder and Audition.

Watch Colin Smith, Adobe's Senior Solutions Engineer for video products, share the future of Audio in Adobe's Creative Suite software.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Have you ever wanted to create hidden “easter egg” menus in your DVDs or Blu-ray disks? This tutorial will show you how to use Photoshop layers and Encore button routing to hide secret clickable areas for your disks.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

This video will teach you how easy it is to take footage from Avid Media Composer to Premiere Pro.

In this video you will learn how to import a final Cut Pro project into Adobe Premiere Pro.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Import footage from tapeless sources with the Media Browser, identifying single clips from the various files that make them up.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Have you ever wanted to create hidden “easter egg” menus in your DVDs or Blu-ray disks? This tutorial will show you how to use Photoshop layers and Encore button routing to hide secret clickable areas for your disks.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

This video will teach you how easy it is to take footage from Avid Media Composer to Premiere Pro.

In this video you will learn how to import a final Cut Pro project into Adobe Premiere Pro.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Import footage from tapeless sources with the Media Browser, identifying single clips from the various files that make them up.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Here are some highlights of the day. From panel discussion to next category and more.

We were a proud sponsor of the NEXT category of films at Sundance. NEXT films stretch limited resources to create impactful and truly embody the spirit of independent filmmaking. This video highlights interviews with NEXT category contestants. Congratulations to all of the contestants, and a special congratulations to the winner, Mike Birbiglia, for "Sleepwalk with Me."

Our first panel at Sundance 2012 featured talented panelists and filmmakers Rob Legato, Jacob Rosenberg, and Vincent Laforet; the panel was moderated by Sharlto Copley. The panelists shared insights on how technology and tools have impacted the way they create films and tell stories. Watch the full panel video here.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

The MediaSync feature allows data from either After Effects or 3ds Max to be updated in the other program at any point in the process. (Currently only available to 3ds Max Subscription users).

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Speed up production with GPU-Accelerated plug-ins This brief tutorial provides an overview of the benefits of choosing CUDA-enabled plug-ins, that include increased productivity to a more fluid workflow.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.

See how the University of Dayton came to life with the Adobe Digital Publishing Suite and Adobe InDesign CS 5.5. Learn how sights and sounds created an emotional connection for students and the university.

In China, Adobe Creative University offers an extensive certification program, working with leading institutions to train students on industry-ready digital skills and the latest technologies.

The Singapore Institute of Technical Education uses Adobe software to teach their students digital media skills and prepare them for the workforce.

See how the University of Dayton came to life with the Adobe Digital Publishing Suite and Adobe InDesign CS 5.5. Learn how sights and sounds created an emotional connection for students and the university.

Hear from a variety of leading educators why CS5 is such an important release for education.

Video interview profiling Gareth Edwards and his use of Creative Suite 4 Production Premium in his production workflow.

See how nVidia Maximus technology can increase performance in Adobe Premiere Pro for faster, more fluid editing compared to when using the software only mode even while using more layers and real-time effects.

The Adobe TV crew talks about how GPU acceleration with Nvidia Quadro Cards makes it possible for them to meet their deadlines and deliver broadcast quality HD shows every week.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Adobe Premiere Elements 10 includes some important new features that make editing slicker and quicker than ever. There are new effects and performance improvements that make a big difference if you are working with high-definition media. This lesson explains what's new.

In this lesson you'll learn how to have text follow the shape of a path you've defined, which adds a whole new level of creativity to the use of text with photos.

Photographers often use a narrow depth of field in order to emphasize a subject, and in this lesson you'll see how to use a Guided Edit effect to achieve narrow depth of field for an image that has a wide range of focus.

Karl Soule shows you how easy it is to use this new tool, jointly developed by Adobe and Intel, that automatically specs out a high-performance workstation that fits your workflow. It even shows you how quickly you will recoup your investment!

In the world of video production, time is money. Karl Soule shows you all you need to know to get maximum performance from the applications in Adobe Production Premium CS5.5. Learn all the hardware-related factors that influence how the software behaves, and see how to properly balance a system with Intel Xeon processors, the right amount of RAM, and high-performance Intel solid state drives.

Learn how an entry-level workstation built with the brand new Intel Xeon E3 processor can give you unprecedented editing performance in Premiere Pro CS5.5 at an unbeatable price.

The session explores techniques and possibilities in harnessing the latest technologies to create groundbreaking visual effects for motion pictures, video and commercials. Learn to leverage tools to create stunning motion designs.

Interactive design is not just a passive experience, but must be one that draws in and engages your audience - repurposing complex information and ideas into intuitive layouts and mechanisms that excites audiences. Incorporating best practices and techniques in immersive graphic design, motion design, navigation, and user experience, this master class focuses on helping you build magnetic experiences audiences tell their friends about, and go viral.

Introduction & Welcome Address of Adobe Design for Impact 2011, Asia Pacific by Vicky Skipp, Regional Director, Adobe Systems.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

The session explores techniques and possibilities in harnessing the latest technologies to create groundbreaking visual effects for motion pictures, video and commercials. Learn to leverage tools to create stunning motion designs.

Interactive design is not just a passive experience, but must be one that draws in and engages your audience - repurposing complex information and ideas into intuitive layouts and mechanisms that excites audiences. Incorporating best practices and techniques in immersive graphic design, motion design, navigation, and user experience, this master class focuses on helping you build magnetic experiences audiences tell their friends about, and go viral.

Introduction & Welcome Address of Adobe Design for Impact 2011, Asia Pacific by Vicky Skipp, Regional Director, Adobe Systems.

Watch as GridIron Software presents Flow, a new way to manage your assets, and Nucleo Pro, a must have plug-in for Adobe After Effects.

Watch as MOTU's Dave Roberts presents their new firewire based hardware solution that is compatible with Premiere Pro CS3.

Join Matrox as they showcase how their hardware tightly integrates with CS3 Production Premium to provide unparalleled real-time results.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

Find out how Adobe's Digital Education Solutions have been used by NSW Dept of Education and Training to create teaching resources as well as how teachers working in the field are using the Adobe solutions to drive digital literacy in the classroom.

The production of effective and inexpensive interactive learning objects is a constant challenge for any institution’s instructional development team. Britt Carr shares strategies for customizing and randomizing learning objects to make them truly interactive and personal for the online/hybrid learner. He also discusses how separating content from context can make learning objects re-usable across vertical and horizontal areas within an institution.

Teaching solid design skills in a rapidly changing educational and technological arena poses challenges for institutions striving to give their graduates a competitive edge in the workplace. Bill Galbreath shows how the students at Full Sail University are using the power of the CS4 Master Collection to streamline workflow and create videos and motion graphic pieces, from concept to delivery in multiple mediums. Using many examples, he shows how the students use Premiere Pro, After Effects and Encore together to give life and meaning to their creative concepts while at the same time learning the professional workflows that can translate directly to their career choice.

Find out how Adobe's Digital Education Solutions have been used by NSW Dept of Education and Training to create teaching resources as well as how teachers working in the field are using the Adobe solutions to drive digital literacy in the classroom.

The production of effective and inexpensive interactive learning objects is a constant challenge for any institution’s instructional development team. Britt Carr shares strategies for customizing and randomizing learning objects to make them truly interactive and personal for the online/hybrid learner. He also discusses how separating content from context can make learning objects re-usable across vertical and horizontal areas within an institution.

Teaching solid design skills in a rapidly changing educational and technological arena poses challenges for institutions striving to give their graduates a competitive edge in the workplace. Bill Galbreath shows how the students at Full Sail University are using the power of the CS4 Master Collection to streamline workflow and create videos and motion graphic pieces, from concept to delivery in multiple mediums. Using many examples, he shows how the students use Premiere Pro, After Effects and Encore together to give life and meaning to their creative concepts while at the same time learning the professional workflows that can translate directly to their career choice.

As you can see nothing can stop Colin Smith from getting those power tips your way! New season coming soon so stay tuned!

In this episode, you'll see how the applications within Production Premium work together including Premiere Pro, After Effects, Media Encoder and Audition.

Watch Colin Smith, Adobe's Senior Solutions Engineer for video products, share the future of Audio in Adobe's Creative Suite software.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!