Learn how Business Catalyst lets you host and manage the websites you create with Muse and other website creation tools. Test as many sites as you'd like, send off for client approval, then publish up to fives sites that you can view and manage from within Creative Cloud and the Business Catalyst site.

Learn how to install the Touch App Plugins application that enables you to move a file you created in an Adobe Touch App into Creative Cloud and then on to your desktop for further refinement.

Access your files stored in Creative cloud from the Adobe Touch App on your tablet. Learn how to download the file, edit it and upload back to Creative Cloud for further refinement in Adobe desktop applications.

A studio known for creative thinking, Tolleson continues to push boundaries and bring relevance to its captivating work in design, photography, and illustration.

Photographer Oleg Dou is celebrated internationally for his staggeringly unique vision. His focus on artistry and craft is transformative.

Collaborative photography and design duo take a provocative approach to their unparalleled work in art, fashion, and commerce.

Join Meagan and Karl on the show floor of NAB 2012 as they discuss what they will be covering in upcoming episodes.

Join Karl on the show floor at NAB 2012 as he talks to Filmmaker Maxim Jago Hobbins about Adobe Story.

Join Meagan as she talks to Kenny Mosher, winner of the Red 4k Portrait Challenge, about his project and his experience working with Adobe Premiere Pro & Adobe After after Effects.

www.showdownvisual.com

Here are some highlights of the day. From panel discussion to next category and more.

We were a proud sponsor of the NEXT category of films at Sundance. NEXT films stretch limited resources to create impactful and truly embody the spirit of independent filmmaking. This video highlights interviews with NEXT category contestants. Congratulations to all of the contestants, and a special congratulations to the winner, Mike Birbiglia, for "Sleepwalk with Me."

Our first panel at Sundance 2012 featured talented panelists and filmmakers Rob Legato, Jacob Rosenberg, and Vincent Laforet; the panel was moderated by Sharlto Copley. The panelists shared insights on how technology and tools have impacted the way they create films and tell stories. Watch the full panel video here.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Learn how to get remote approval for all your video projects. Share comments and changes with production staff anywhere. Generate timecode-accurate reviews that sync directly with Adobe Premiere Pro, improving collaborative workflow.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Have you ever wanted to create hidden “easter egg” menus in your DVDs or Blu-ray disks? This tutorial will show you how to use Photoshop layers and Encore button routing to hide secret clickable areas for your disks.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video production workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Import footage from tapeless sources with the Media Browser, identifying single clips from the various files that make them up.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Learn how to get remote approval for all your video projects. Share comments and changes with production staff anywhere. Generate timecode-accurate reviews that sync directly with Adobe Premiere Pro, improving collaborative workflow.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Have you ever wanted to create hidden “easter egg” menus in your DVDs or Blu-ray disks? This tutorial will show you how to use Photoshop layers and Encore button routing to hide secret clickable areas for your disks.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video production workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Import footage from tapeless sources with the Media Browser, identifying single clips from the various files that make them up.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Learn how Business Catalyst lets you host and manage the websites you create with Muse and other website creation tools. Test as many sites as you'd like, send off for client approval, then publish up to fives sites that you can view and manage from within Creative Cloud and the Business Catalyst site.

Learn how to install the Touch App Plugins application that enables you to move a file you created in an Adobe Touch App into Creative Cloud and then on to your desktop for further refinement.

Access your files stored in Creative cloud from the Adobe Touch App on your tablet. Learn how to download the file, edit it and upload back to Creative Cloud for further refinement in Adobe desktop applications.

Learn how Business Catalyst lets you host and manage the websites you create with Muse and other website creation tools. Test as many sites as you'd like, send off for client approval, then publish up to fives sites that you can view and manage from within Creative Cloud and the Business Catalyst site.

Learn how to install the Touch App Plugins application that enables you to move a file you created in an Adobe Touch App into Creative Cloud and then on to your desktop for further refinement.

Access your files stored in Creative cloud from the Adobe Touch App on your tablet. Learn how to download the file, edit it and upload back to Creative Cloud for further refinement in Adobe desktop applications.

Check out the making of this far out music video of the indie band, Heavy Hand, and see how the extensive set of NVIDIA GPU accelerated features throughout Adobe CS6 made it happen.

See how nVidia Maximus technology can increase performance in Adobe Premiere Pro for faster, more fluid editing compared to when using the software only mode even while using more layers and real-time effects.

The Adobe TV crew talks about how GPU acceleration with Nvidia Quadro Cards makes it possible for them to meet their deadlines and deliver broadcast quality HD shows every week.

In this video you'll see how to send a Premiere Pro sequence to Adobe SpeedGrade for color grading and get a very brief overview of applying a look in SpeedGrade.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

Discover Adobe Prelude, an application that works in conjunction with Adobe Premiere Pro. Adobe Prelude allows video professionals, like producers and directors, to easily add metadata to their video files in a digital workflow.

Join Meagan and Karl on the show floor of NAB 2012 as they discuss what they will be covering in upcoming episodes.

Join Karl on the show floor at NAB 2012 as he talks to Filmmaker Maxim Jago Hobbins about Adobe Story.

Join Meagan as she talks to Kenny Mosher, winner of the Red 4k Portrait Challenge, about his project and his experience working with Adobe Premiere Pro & Adobe After after Effects.

www.showdownvisual.com

Students and educators discuss their enthusiasm for the launch of CS6.

An Indian state with a proud and ancient heritage prepares its students for a bright future. Discover how the Government of Rajasthan is working with Adobe Digital Education tools to help teachers and students acquire new skills and enrich their learning experience.

Adobe Creative Suite Design Premium helps Hong Kong International School enhance teaching and learning.

Product Manager Al Mooney provides an introduction to Adobe Premiere Pro CS6.

Adobe Evangelist Jason Levine provides an overview of what's new in After Effects CS6.

Adobe Evangelist Jason Levine shows how to use Adobe Story to outline, plan, script and schedule projects.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Paul Trani generates lots of excitement for Adobe’s upcoming presence at SXSW in Austin. He invites you to Adobe Creative Camp on Monday 3/12, where there will be sneak peeks of new Adobe tools for design and development. Visit adobe.com/go/sxsw

Stephanie von Dressler of Ogilvy & Mather talks about taking visual notes of SXSW Interactive sessions, and how she is now using tablets to digitally sketch in addition to pen and paper.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

As you can see nothing can stop Colin Smith from getting those power tips your way! New season coming soon so stay tuned!

In this episode, you'll see how the applications within Production Premium work together including Premiere Pro, After Effects, Media Encoder and Audition.

Watch Colin Smith, Adobe's Senior Solutions Engineer for video products, share the future of Audio in Adobe's Creative Suite software.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Karl Soule talks about how Adobe Story will play the starting role in the pre-production phase of a planning-to-playback workflow thanks to the tight integration that will be available with future versions of Adobe Creative Suite Production Premium.

Modern storytelling arrives with Adobe Story, a collaborative script development tool that helps you turn your tale into production-ready scripts.

This video provides an overview of using footage from the RED ONE camera inside of CS4 Production Premium.

Learn about using an OnLocation workflow to marry Adobe Story scripts and metadata to shots. Bring the shots and their metadata into Adobe Premiere Pro for editing.

Learn how to make the most of metadata and speech analysis. This tutorial shows how to start your project in Adobe Story, move it into OnLocation, import it into Adobe Premiere Pro, and then send it out to disc or the web via Encore.

Learn how to use OnLocation to add metadata, including script dialog from Adobe Story, to your shots. Learn how to import shots, with their associated metadata, into Adobe Premiere Pro for editing.