Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

Why would anyone want to live in Cannes? During a journey through the town on a bicycle, a foreigner finds locals who create the character of the city and realizes there is more to Cannes than the fasade.

In the film, Jigme, discover simplicity in the midst of chaos. Explore Cannes through the lens of one who does not walk the beaten path.

When a person experiences a loss, it is sad but can also be celebrated. Whether it's a film or a person, they are forever honored and remembered by the mark they make on the world.

At the Adobe Youth Voices Summit, teenagers from around the world converge in San Jose, Calif., to attend workshops and panel discussions and ultimately to create media that expresses a shared vision for positive change.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

Why would anyone want to live in Cannes? During a journey through the town on a bicycle, a foreigner finds locals who create the character of the city and realizes there is more to Cannes than the fasade.

In the film, Jigme, discover simplicity in the midst of chaos. Explore Cannes through the lens of one who does not walk the beaten path.

When a person experiences a loss, it is sad but can also be celebrated. Whether it's a film or a person, they are forever honored and remembered by the mark they make on the world.

At the Adobe Youth Voices Summit, teenagers from around the world converge in San Jose, Calif., to attend workshops and panel discussions and ultimately to create media that expresses a shared vision for positive change.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Paul Trani generates lots of excitement for Adobe’s upcoming presence at SXSW in Austin. He invites you to Adobe Creative Camp on Monday 3/12, where there will be sneak peeks of new Adobe tools for design and development. Visit adobe.com/go/sxsw

Stephanie von Dressler of Ogilvy & Mather talks about taking visual notes of SXSW Interactive sessions, and how she is now using tablets to digitally sketch in addition to pen and paper.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

At the Adobe Youth Voices Summit, teenagers from around the world converge in San Jose, Calif., to attend workshops and panel discussions and ultimately to create media that expresses a shared vision for positive change.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Mark Johnson, Creative Director at Sequence talks about his work on a range of projects including Doctor Who.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Juliet Tzabar, Production Director at Plug-in Media talks about their work on the BBC's ZingZilla's.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this episode, Kirsty Hunter, Head of Interactive at Lion Television program talks about Horrible Histories.

From Paris to Peoria: See how two creatives on two continents collaborate—without ever meeting—to create "Dweezlbug" using Adobe Creative Suite 4.

Animate 2D objects through 3D space.

Set global or individual registration points to imported layers.

Come chill out in the garage with Ube Urban and check out his Ice Cream Paint shop. Get a behind the scenes look on how he makes these bikes look so delicious!

Say hi to Adriana Sparkuhl. Take a look at her LIVE painting and flyer design for her party’s she throws here in San Francisco and take a walk around her little inspirational island home next to the city.

Get an inside look into the visual and musical work of Blenka. Tamera and Harald talk about their creative process as a band and also about how they created their music video's retro super 8 look in After Effects.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Mark Johnson, Creative Director at Sequence talks about his work on a range of projects including Doctor Who.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Juliet Tzabar, Production Director at Plug-in Media talks about their work on the BBC's ZingZilla's.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this episode, Kirsty Hunter, Head of Interactive at Lion Television program talks about Horrible Histories.

Paul Trani generates lots of excitement for Adobe’s upcoming presence at SXSW in Austin. He invites you to Adobe Creative Camp on Monday 3/12, where there will be sneak peeks of new Adobe tools for design and development. Visit adobe.com/go/sxsw

Stephanie von Dressler of Ogilvy & Mather talks about taking visual notes of SXSW Interactive sessions, and how she is now using tablets to digitally sketch in addition to pen and paper.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

At the Adobe Youth Voices Summit, teenagers from around the world converge in San Jose, Calif., to attend workshops and panel discussions and ultimately to create media that expresses a shared vision for positive change.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Desiree Motamedi gives viewers the inside scoop on Flash CS4! She also discovers the cutting edge of live webcasting via UStream.tv, and find the man of her dreams on Woome.com.

Desiree gets an inside look at Mekanism's new web shows. She also gets a sneak peek at the latest on Adobe Premiere Express, and sees how Adobe After Effects is making an impact on students in the Bay Area.

Desiree talks with the gang at Mekanism, gets the latest on Adobe Flash Player 10, and meets the creative kids at BayCat - all in this week's episode of Inside Dynamic Media.