Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

In this video, I'll guide you through using our New Adobe Premiere Pro CC and Encore CS6 to burn Bluray and DVD disc in a few easy steps. I'll also give you some quick tips on making videos with interactive poster frames and chapter markers for iPad, iPhone, AppleTV and other mobile devices.

I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this episode, Dave gives you a quick tour of the new HP Z820 workstation tied together with NVIDIA's Maximus technology working in Premiere Pro CS6 and After Effects CS6. See how these 2 technologies take your workflow to the next level of compute power.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

Adobe TV's chief goof ball (CGB) Kush Amerasinghe sneaks you into the Adobe MAX Bash and talks about what it was like to attend Adobe MAX 2013 in L.A. from his personal perspective in this hypnotic slow motion wearable camera video blog entry.

For more MAX videos including complete keynotes, sessions and sneaks go to: tv.adobe.com/show/max-2013

For more info about Adobe Creative Cloud, visit: creative.adobe.com

In this episode of Ask the Adobe Ones, Kush explains some of the basics of using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1. Even if you are not familiar with the desktop version of Photoshop, see how easy it is to learn and have fun manipulating and retouching your photos with this Touch App.

In this episode of Ask the Adobe Ones, Kush explains how he created the "Fishy Facebook Post" using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1.

Why would anyone want to live in Cannes? During a journey through the town on a bicycle, a foreigner finds locals who create the character of the city and realizes there is more to Cannes than the fasade.

In the film, Jigme, discover simplicity in the midst of chaos. Explore Cannes through the lens of one who does not walk the beaten path.

When a person experiences a loss, it is sad but can also be celebrated. Whether it's a film or a person, they are forever honored and remembered by the mark they make on the world.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Adobe Product Manager, designer, and developer geek Doug Winnie discusses (and acts out) the most common designer/ developer issues, and offers predictions on how Adobe will help ease the pain in 2011.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

In this video, I'll guide you through using our New Adobe Premiere Pro CC and Encore CS6 to burn Bluray and DVD disc in a few easy steps. I'll also give you some quick tips on making videos with interactive poster frames and chapter markers for iPad, iPhone, AppleTV and other mobile devices.

I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this episode, Dave gives you a quick tour of the new HP Z820 workstation tied together with NVIDIA's Maximus technology working in Premiere Pro CS6 and After Effects CS6. See how these 2 technologies take your workflow to the next level of compute power.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

Adobe TV's chief goof ball (CGB) Kush Amerasinghe sneaks you into the Adobe MAX Bash and talks about what it was like to attend Adobe MAX 2013 in L.A. from his personal perspective in this hypnotic slow motion wearable camera video blog entry.

For more MAX videos including complete keynotes, sessions and sneaks go to: tv.adobe.com/show/max-2013

For more info about Adobe Creative Cloud, visit: creative.adobe.com

In this episode of Ask the Adobe Ones, Kush explains some of the basics of using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1. Even if you are not familiar with the desktop version of Photoshop, see how easy it is to learn and have fun manipulating and retouching your photos with this Touch App.

In this episode of Ask the Adobe Ones, Kush explains how he created the "Fishy Facebook Post" using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1.

Why would anyone want to live in Cannes? During a journey through the town on a bicycle, a foreigner finds locals who create the character of the city and realizes there is more to Cannes than the fasade.

In the film, Jigme, discover simplicity in the midst of chaos. Explore Cannes through the lens of one who does not walk the beaten path.

When a person experiences a loss, it is sad but can also be celebrated. Whether it's a film or a person, they are forever honored and remembered by the mark they make on the world.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Adobe Product Manager, designer, and developer geek Doug Winnie discusses (and acts out) the most common designer/ developer issues, and offers predictions on how Adobe will help ease the pain in 2011.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

Adobe TV's chief goof ball (CGB) Kush Amerasinghe sneaks you into the Adobe MAX Bash and talks about what it was like to attend Adobe MAX 2013 in L.A. from his personal perspective in this hypnotic slow motion wearable camera video blog entry.

For more MAX videos including complete keynotes, sessions and sneaks go to: tv.adobe.com/show/max-2013

For more info about Adobe Creative Cloud, visit: creative.adobe.com

In this episode of Ask the Adobe Ones, Kush explains some of the basics of using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1. Even if you are not familiar with the desktop version of Photoshop, see how easy it is to learn and have fun manipulating and retouching your photos with this Touch App.

In this episode of Ask the Adobe Ones, Kush explains how he created the "Fishy Facebook Post" using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1.

In this video, I'll guide you through using our New Adobe Premiere Pro CC and Encore CS6 to burn Bluray and DVD disc in a few easy steps. I'll also give you some quick tips on making videos with interactive poster frames and chapter markers for iPad, iPhone, AppleTV and other mobile devices.

I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this episode, Dave gives you a quick tour of the new HP Z820 workstation tied together with NVIDIA's Maximus technology working in Premiere Pro CS6 and After Effects CS6. See how these 2 technologies take your workflow to the next level of compute power.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Paul Trani generates lots of excitement for Adobe’s upcoming presence at SXSW in Austin. He invites you to Adobe Creative Camp on Monday 3/12, where there will be sneak peeks of new Adobe tools for design and development. Visit adobe.com/go/sxsw

Stephanie von Dressler of Ogilvy & Mather talks about taking visual notes of SXSW Interactive sessions, and how she is now using tablets to digitally sketch in addition to pen and paper.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Adobe Product Manager, designer, and developer geek Doug Winnie discusses (and acts out) the most common designer/ developer issues, and offers predictions on how Adobe will help ease the pain in 2011.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Mark Johnson, Creative Director at Sequence talks about his work on a range of projects including Doctor Who.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Juliet Tzabar, Production Director at Plug-in Media talks about their work on the BBC's ZingZilla's.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this episode, Kirsty Hunter, Head of Interactive at Lion Television program talks about Horrible Histories.

From Paris to Peoria: See how two creatives on two continents collaborate—without ever meeting—to create "Dweezlbug" using Adobe Creative Suite 4.

Animate 2D objects through 3D space.

Set global or individual registration points to imported layers.

Come chill out in the garage with Ube Urban and check out his Ice Cream Paint shop. Get a behind the scenes look on how he makes these bikes look so delicious!

Say hi to Adriana Sparkuhl. Take a look at her LIVE painting and flyer design for her party’s she throws here in San Francisco and take a walk around her little inspirational island home next to the city.

Get an inside look into the visual and musical work of Blenka. Tamera and Harald talk about their creative process as a band and also about how they created their music video's retro super 8 look in After Effects.

After a quick interview with Julie Campagna, Ed Rowe, VP of Development Tooling at Adobe, demonstrates how Adobe Flash Builder 4.5 enables developers to reach Android, BlackBerry Tablet OS, and iOS devices using the same codebase.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Adobe Product Manager, designer, and developer geek Doug Winnie discusses (and acts out) the most common designer/ developer issues, and offers predictions on how Adobe will help ease the pain in 2011.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Join Bob Donlon, Executive Producer of Adobe TV, as he gives you a "behind the scenes" look at this resource designed to educate, inspire, and entertain the creative community.

Ben Grossmann, Emmy Award-winning visual effects supervisor at The Syndicate, breaks down CCM's Hockey Skate commercial Anatomical

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Mark Johnson, Creative Director at Sequence talks about his work on a range of projects including Doctor Who.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this program Juliet Tzabar, Production Director at Plug-in Media talks about their work on the BBC's ZingZilla's.

The Behind the Scenes event highlights some of the best new digital, innovative and technological projects from the UK digital media industry. In this episode, Kirsty Hunter, Head of Interactive at Lion Television program talks about Horrible Histories.

Paul Trani generates lots of excitement for Adobe’s upcoming presence at SXSW in Austin. He invites you to Adobe Creative Camp on Monday 3/12, where there will be sneak peeks of new Adobe tools for design and development. Visit adobe.com/go/sxsw

Stephanie von Dressler of Ogilvy & Mather talks about taking visual notes of SXSW Interactive sessions, and how she is now using tablets to digitally sketch in addition to pen and paper.

Every year, thousands of techies, filmmakers, and musicians head to Austin, Texas, for South by Southwest (SXSW). Get a glimpse of the event and how Adobe is participating.

Adobe TV's chief goof ball (CGB) Kush Amerasinghe sneaks you into the Adobe MAX Bash and talks about what it was like to attend Adobe MAX 2013 in L.A. from his personal perspective in this hypnotic slow motion wearable camera video blog entry.

For more MAX videos including complete keynotes, sessions and sneaks go to: tv.adobe.com/show/max-2013

For more info about Adobe Creative Cloud, visit: creative.adobe.com

In this episode of Ask the Adobe Ones, Kush explains some of the basics of using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1. Even if you are not familiar with the desktop version of Photoshop, see how easy it is to learn and have fun manipulating and retouching your photos with this Touch App.

In this episode of Ask the Adobe Ones, Kush explains how he created the "Fishy Facebook Post" using Adobe Photoshop Touch on a Samsung Galaxy Note 10.1.

Andreas Pfeiffer, founding director of Pfeiffer Consulting, talks about the benchmark tests his company did comparing Adobe CS3 to CS4.

See how Photoshop CS3 compares to CS4 in this episode of Benchmark. Check out new features that can make you more productive, giving you more time to be creative.

In this episode of Benchmark, Design Premium CS3 and CS4 are put to the test to see which is better in terms of speed and usability. Tune in right here for the results.

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

With Photoshop CS5 and Photoshop CS5 Extended, when you remove an image element, Content-Aware Fill replaces the missing pixels almost magically. This revolutionary new tool matches lighting, tone, and noise so it looks like the deleted content never existed.

Isolate moving foreground elements from their backgrounds faster using a revolutionary new approach that works much like the Quick Select tool in Photoshop.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

Download a trial of Adobe CS6 Production Premium

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

In this video, I'll guide you through using our New Adobe Premiere Pro CC and Encore CS6 to burn Bluray and DVD disc in a few easy steps. I'll also give you some quick tips on making videos with interactive poster frames and chapter markers for iPad, iPhone, AppleTV and other mobile devices.

I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this episode, Dave gives you a quick tour of the new HP Z820 workstation tied together with NVIDIA's Maximus technology working in Premiere Pro CS6 and After Effects CS6. See how these 2 technologies take your workflow to the next level of compute power.

Desiree Motamedi gives viewers the inside scoop on Flash CS4! She also discovers the cutting edge of live webcasting via UStream.tv, and find the man of her dreams on Woome.com.

Desiree gets an inside look at Mekanism's new web shows. She also gets a sneak peek at the latest on Adobe Premiere Express, and sees how Adobe After Effects is making an impact on students in the Bay Area.

Desiree talks with the gang at Mekanism, gets the latest on Adobe Flash Player 10, and meets the creative kids at BayCat - all in this week's episode of Inside Dynamic Media.