In his inaugural show, join Dennis Radeke as he reviews the interface of After Effects, teaches sound track creation in Soundbooth and the cool Automate to Timeline feature inside of Premiere Pro.

Join Worldwide Design Evangelist Terry White as he runs through his 5 favorite Photoshop CS5 features. Included are new enhanced selection abilities and noise reduction tools.

Learn 3D text in Illustrator! Then use it in Premiere Pro or Photoshop and give it a "wiggle" inside of After Effects. All in one show!

Join Dennis Radeke as he shows off the Levels command and Spot Healing brush in Photoshop, demonstrates basic animation properties in After Effects, and shows two nifty features in Soundbooth.

Get a few of Dennis' favorite shortcuts in Photoshop, an introduction to text animation presets in After Effect's and some crucial tips on how to record a better voice over track.

Learn what Flash is and what it can do. Create and display animation, video, and sound content. Add interactivity. Learn the Flash interface.

Join Terry White as he walks you through the brand new Photoshop CS5 and Photoshop CS5 extended.

Learn about video editing with Adobe Premiere Pro. Import assets, find footage with Speech Search and Face Detection, composite and apply effects with the Mercury Playback Engine, and output through the Adobe Media Encoder.

Learn how to streamline a DVD project using Creative Suite Production Premium. Save time by using Dynamic Link to move data between Adobe Premiere Pro, Bridge, and Encore.

Export to Flash for progressive downloads or streaming video. Create a DVD-like web page with interactive links and a custom background.

Import Adobe Premiere Pro sequences into Encore to create Blu-ray discs. Add pop-up menus to multiple timelines, and create or import subtitles.

Convert After Effects markers to cue points for use in Flash and Flash Player using ActionScript.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

Efficiently track, search, and organize assets as they travel between Adobe Production Premium applications.

Learn editing techniques that allow you to create more complex animations by using nested symbols and custom ease curves.

A viewer hints at the lack of support for the new AVCHD video format. Kush finally gets hold of Karl Soule while in the middle of a trance techno session in his office! (Upadate: AVCHD support is now available in CS4)

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Motion blur is something that occurs naturally in photography but there are many ways that we can create realistic motion blur in After Effects too. Colin will show you the settings and options to help you control motion blur on animations, graphics and even on videos that don’t contain any movement at all. He will also demonstrate how to add motion blur to the many animation presets that ship with After Effects.

Adobe introduced the powerful Roto Brush in After Effects CS5 allowing you to increase your productivity when compositing layers together. Colin has some great tips to help you get the most out of Roto Brush including how to help After Effects make the best choices when propagating new frames.

Colin is very excited to show you the newly acquired film finishing and color grading application SpeedGrade from IRIDAS. SpeedGrade contains powerful finishing tools to import EDLs from any editing environment and from there, conform, color grade and render out to multiple formats.

Once again a customer question turns into an episode with the idea of something Colin calls Super Zoom. Colin shows you how to combine a high resolution still image with video so the camera can zoom into macro levels without the image getting pixelated. Using After Effects motion reframes and color correction, this can be achieved to create a seamless blend between video and a still.

Many moons ago, Adobe incorporated Aldus Filter Gallery into Photoshop. Colin will show you how these filters may be ready for a rebirth by showing how to combine them with the power of Smart Objects to create new and exciting patterns and backgrounds that can be experiment with and updated dynamically.

The Pen tool can be found in many Adobe applications and they way it works can sometimes be a little different. Colin Smith will take you through the similarities and differences with the Pen tool in Illustrator, InDesign, Photoshop and After Effects. Colin also talks about AICB, what it means and why you should use it.

Paul Gubbay, Adobe VP of Engineering, Web & Interactive, demonstrates new innovations in Adobe tools to create and output HTML5 content for any screen.